A Robert F. Sibert Honor Book
Winner of the Schneider Family Book Award
An ALA-ALSC Notable Children's Book
Winner of the NCTE Orbis Pictus Award for Outstanding Nonfiction for Children
As a child in the late 1800s, Horace Pippin loved to draw: He loved the feel of the charcoal as it slid across the floor. He loved looking at something in the room and making it come alive again in front of him. He drew pictures for his sisters, his classmates, his co-workers. Even during W.W.I, Horace filled his notebooks with drawings from the trenches . . . until he was shot. Upon his return home, Horace couldn't lift his right arm, and couldn't make any art. Slowly, with lots of practice, he regained use of his arm, until once again, he was able to paint--and paint, and paint! Soon, people—including the famous painter N. C. Wyeth—started noticing Horace's art, and before long, his paintings were displayed in galleries and museums across the country.
Jen Bryant and Melissa Sweet team up once again to share this inspiring story of a self-taught painter from humble beginnings who despite many obstacles, was ultimately able to do what he loved, and be recognized for who he was: an artist.
The team behind the Caldecott Honor book A River of Words: The Story of William Carlos Williams returns with a rewarding picture-book biography of self-taught African-American artist Horace Pippin. As a child, Pippin drew pictures at every opportunity, but his family's economic struggles eventually necessitated that he use his "big hands" in many other roles, including "stacking grain sacks at a feed store, shoveling coal at a rail yard," and later serving in WWI. Despite a war injury to his right arm, Pippin adapted in order to continue drawing and painting, eventually leading to recognition and fame in the art world. Sweet's na f mixed-media collages blend thick, solid color blocks with motifs mined from Pippin's vibrant compositions, which range from war scenes to that of children at play. Quotations from Pippin about the psychological scars of war and his artistic process are hand-drawn into Sweet's images, underscoring how art was not only a joyful outlet for Pippin, but also a vital means of interpreting the world. Ages 5 8.