Aereality
On the World from Above
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- $11.99
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- $11.99
Publisher Description
William Fox's writing for the last several years has been focused on how we construct aerial views, either physically (by flying) or in our imaginations.
In Aereality, he flies over earthworks in Nevada and Utah, soars through the world's largest open pit mine, and surveys Los Angeles, circumnavigating large swaths of true American urban sprawl. On the East Coast, he examines the elevated art of the Hudson River Valley and New York City. And finally, in Australia, Fox examines the history and current practice of both Euro–Australian and Aboriginal aerial views, and searches for the cognitive roots of our aerial imagination.
Accompanying Fox throughout his travels is a rolling cast of enlightened fliers: geographers, museum curators, landscape photographers, anthropologists, and artists. He traverses the sky in prop planes, helicopters, and hot air balloons, all with the ultimate goal of knowing and experiencing the earth from the air.
PUBLISHERS WEEKLY
In this fascinating, ultimately frustrating meditation on how humans visualize their environment, poet and author Fox (Terra Antarctica) considers the sweep of human history, art and technology. Largely concerned with how modern artists, particularly photographers, use the aerial perspective, Fox first flies with photographers Michael Heizer and David Hansen over the deserts, open-pit mines and military installations of the American West, describing their post-modern experiments with perspective, light, color and angle. He also joins Heizer and geographer Denis Cosgrove for aerial tours of the Los Angeles basin, comparing past and present aerial views of planned suburbs from the 1950s. Back East, he joins Massachusetts Museum of Contemporary Art director Joe Thompson for a trip over post-9/11 New York, and a discussion of the artists who had studios in the World Trade Center towers. Fox's last destination is Australia, to examine and contemplate the paintings of Aborigines, which are almost always aerial landscapes. Though dense with ideas and the philosophy of human geography, this panoramic study is repeatedly undermined by inadequate illustrations, including a paucity of reproduced art works (of the dozens Fox discusses, just 16 are included) and, most aggravating, a complete lack of route maps. 16 color plates.
