After
Poems
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3.3 • 3 Ratings
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- $12.99
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- $12.99
Publisher Description
"Jane Hirshfield is one of our finest, most memorable contemporary poets." —David Baker, The American Poet
"Hirshfield's poems . . . send ripples across the reflecting pool of our collective consciousness." — Booklist (starred review)
A profound, generous, and masterful sixth lyrical collection by one of the preeminent American poets of her generation, After explores incarnation, transience, and our intimate connection with others and with all existence. Jane Hirshfield’s alert, incisive, and compassionate philosophical poetry examines the human condition through subjects ranging from sparseness, possibility, judgment, and hidden grief to global warming, insomnia, the meanings to be found in generally overlooked parts of speech, and the metaphysics of sneezing. In respective series of “assays” (meditative imaginative accountings) and “pebbles” (each a “brief, easily pocketable perception that remains incomplete until the reader’s own response awakens inside it”), Hirshfield explores a poetry-making that looks simultaneously outward and inward, finding resonant and precise containers for the deepest currents of our inner life.
This award-winning collection holds space for life's profound questions:
Meditative Poetry: Unique "assays" and "pebbles" that find resonant meaning in subjects from global warming to the metaphysics of sneezing.Nature Poetry: An incisive look at the natural world that reflects our own transience, from a badger's breath beneath the snow to the heat of autumn.Poems on Life and Death: A compassionate exploration of incarnation, grief, and our intimate connection to an existence that is always passing.The Human Condition: Alert and compassionate verses that examine our inner lives, from overlooked parts of speech to the quiet moments that define us.
PUBLISHERS WEEKLY
Serious, prayerful and governed by quietly sweeping abstract lines, Hirshfield's sixth collection of verse continues the meditative direction established in 2001's well-received Given Sugar, Given Salt. She subtitles many poems "an assay," meaning both a try and an exposition: the sky, the words "of " and "to" and the writings of Edgar Allan Poe all become such discursive test cases. Some assays are prose poems, a form that balances out Hirshfield's tropism toward restrained wonder. The tone overall, however, inclines decisively toward sadness and grief: the poet aspires "to live amid the great vanishing a cat must live,/ one shadow fully at ease inside another." Hirshfield brings a plainspoken American spirituality (think of Mary Oliver or Robert Bly) to bear on her interest in East Asian practice: a set of quite short (one to five lines) lyric efforts, under the collective title "Seventeen Pebbles," pares Hirshfield's sensibility to a Zen concision. A longer Japanese-influenced poem concludes, "slowness alone is not to be confused/ with the scent of the plum tree just before it opens." Clarification makes for consolation in this gentle and very unified book.