Aggie Morton, Mystery Queen: The Body under the Piano
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4.5 • 2 Ratings
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- $9.99
Publisher Description
A smart and charming middle-grade mystery series starring young detective Aggie Morton and her friend Hector, inspired by the imagined life of Agatha Christie as a child and her most popular creation, Hercule Poirot. For fans of Lemony Snicket and Enola Holmes.
Aggie Morton lives in a small town on the coast of England in 1902. Adventurous and imaginative but deeply shy, Aggie hasn't got much to do since the death of her beloved father . . . until the fateful day when she crosses paths with twelve-year-old Belgian immigrant Hector Perot and discovers a dead body on the floor of the Mermaid Dance Room! As the number of suspects grows and the murder threatens to tear the town apart, Aggie and her new friend will need every tool at their disposal -- including their insatiable curiosity, deductive skills and not a little help from their friends -- to solve the case before Aggie's beloved dance instructor is charged with a crime Aggie is sure she didn't commit.
Filled with mystery, adventure, an unforgettable heroine and several helpings of tea and sweets, The Body Under the Piano is the clever debut of a new series for middle-grade readers and Christie and Poirot fans everywhere, from a Governor General's Award--nominated author of historical fiction for children.
PUBLISHERS WEEKLY
Child sleuths investigate a poisoning in this winning whodunit based on Agatha Christie's childhood. In 1902 Torquay, Aggie Morton, 12, whose father recently died, has what her mother calls a "Morbid Preoccupation." Additionally, the aspiring writer, homeschooled and often shy, likes crafting descriptive variations ("eyes like lime cordial?... Glittering emeralds?"). In a chance sweet-shop encounter, she befriends Belgian refugee Hector Perot, a fastidious boy staying for a time nearby ("our own little immigrant," his hosts call him). After leaving her journal at her dance studio one evening following a charitable "Befriend the Foreigners" concert, Aggie returns to find a disagreeable local woman dead beneath the titular instrument. When an anonymous note with clues to the murderer's identity appears, the children jump on the case, much to the delight of a prolific reporter and the keen frustration of the constabulary. Though Perot's presence adds little more than Easter eggs (e.g., his namesake's phrasing habits) to the otherwise well-plotted mystery, he is set up to play a larger role in future installments. Jocelyn (One Yellow Ribbon) offers an enjoyable entr e to the Queen of Crime and to the genre; the narrative's arch tone, the girl's vital grandmother, and the novel's surfeit of extravagant teas should please. Character portraits and chapter heading spot art from Follath (Joy) add whimsical appeal. Ages 10 up.
