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Publisher Description

From the bestselling author of Los Alamos and The Good German comes a riveting tale of love, revenge and murder set in postwar Venice

It is 1946, and a stunned Europe is beginning its slow recovery from the ravages of World War II. Adam Miller has come to Venice to visit his widowed mother and try to forget the horrors he has witnessed as a U.S. Army war crimes investigator in Germany. Nothing has changed in Venice-not the beautiful palazzi, not the violins at Florian's, not the shifting water that makes the city, untouched by bombs, still seem a dream.

But when Adam falls in love with Claudia, a Jewish woman scarred by her devastating experiences during the war, he is forced to confront another Venice, a city still at war with itself, haunted by atrocities it would rather forget. Everyone, he discovers, has been compromised by the Occupation-the international set drinking at Harry's, the police who kept order for the Germans, and most of all Gianni Maglione, the suave and enigmatic Venetian who happens to be his mother's new suitor. And when, finally, the troubled past erupts in violent murder, Adam finds himself at the center of a web of deception, intrigue, and unexpected moral dilemmas. When is murder acceptable? What are the limits of guilt? How much is someone willing to pay for a perfect alibi?

Using the piazzas and canals of Venice as an enthralling but sinister backdrop, Joseph Kanon has again written a gripping historical thriller. Alibi is at once a murder mystery, a love story, and a superbly crafted novel about the nature of moral responsibility.

GENRE
Mysteries & Thrillers
RELEASED
2007
April 1
LANGUAGE
EN
English
LENGTH
416
Pages
PUBLISHER
Henry Holt and Co.
SELLER
Macmillan
SIZE
2.4
MB

Customer Reviews

Nenufart ,

Alibi

Very skillful at the creation of finely nuanced characters and their relationships to one another and at evoking mood and ambience of locale within which they live. Plots are subtle and challenging, and are developed within a credibly recreated historical context. My only niggling complaint is that where so much of the story is carried forward by the verbal exchanges of the characters, more care could have been taken to make it immediately clear what words are attributable to whom, particularly where several characters are together, engaged in multilateral conversation.

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