Alisa, Alice

Alisa, Alice is a humanely cruel and deeply moving drama, full of passion and desire. The clash of two cultures is described with psychological accuracy and depth. Alisa, a young Muslim refugee scarred by the Balkan war finds shelter with Magda, a representative of the common so-called civilised but self-destructive and self-loving western world. Magda, through the sadism arising from her despair and loss of purpose and her psychological confusion, inadvertantly causes the suicide of Alisa.

The relationship between the two protagonists is permeated as much with love as with hatred, is decanted through the dictatorship of language into a miraculous, irrational and mysterious atmosphere. In places, the style of the play is reminiscent of Pinter’s comedy of menace. The realistically based dramatic events are firmly grounded in a recognisable and actual contemporaneity. Poetic ambiguity facilitates universal interpretation, and here and there extends to the magical and surreal.