



All Days Are Night
A Novel
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3.0 • 1 Rating
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- $9.99
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- $9.99
Publisher Description
A novel about survival, self-reliance, and art, by Peter Stamm, finalist for the 2013 Man Booker International Prize
All Days Are Night is the story of Gillian, a successful and beautiful TV host, content with her marriage to Matthias, even if she feels restless at times. One night following an argument, the couple has a terrible car accident: Matthias, who is drunk, hits a deer on the wet road and dies in the crash. Gillian wakes up in the hospital completely disfigured. Only slowly, after many twists and turns, does she put her life back together, and reconnects with a love interest of the past who becomes a possible future—or so it seems. In Stamm’s unadorned and haunting style, this new novel forcefully tells the story of a woman who loses her life but must stay alive all the same. How she works everything out in the end is at once surprising and incredibly rewarding.
PUBLISHERS WEEKLY
Gillian, a prosperous television personality, wakes up in a hospital with her face horribly disfigured, and her husband, Matthias, dead, a casualty of a car crash that followed an argument at the end of a night of revelry. As Gillian slowly recovers physically her nose is reconstructed from tissue throughout her body her emotional wounds, the cause of her marital discord, resurface: Matthias discovered provocative photographs of her and assumed she was having an affair. From here, the novel travels back through time, revealing the source of the photographs, which were not snapped by a lover but by an artist, Hubert, whom Gillian once interviewed. Her interest in Hubert's paintings, specifically his nudes, draws her to him, and Hubert invites her to collaborate on an ill-fated series of sketches and paintings. The collaboration falls apart shortly before the accident. The novel then moves back to Gillian's recuperation, during which Hubert stays away, and it isn't until years later that the two reunite and reconcile. This brief volume speaks eloquently about recovery and reinvention. Stamm (Seven Years) alternates his narrative between Gillian and Hubert, sometimes having both recall the same moments; it's Gillian's story that truly flourishes.