With echoes of Fargo and the writing of Cormac McCarthy, this is another “wonderfully wry . . . standout” novel of suspense from the critically acclaimed author of Go With Me (People)
When a young ne’er do well steals from the local Russians, Sheriff Lucian Wing confronts a series of trials that test his work, his message, and the order of his life in small-town Vermont
Sheriff Lucian Wing is an experienced, practical man who enforces the law in his corner of Vermont with a steady hand and a generous tolerance. Things are not as they should be, however, in the sheriff’s small, protected domain. The outside world draws near, and threats multiply: the arrival in the district of a band of exotic, major league criminals; an ambitious and aggressive deputy; the self-destructive exploits of a local bad boy; Wing’s discovery of a domestic crisis. The sheriff’s response to these diverse challenges calls on all the personal resources he has cultivated during his working life: patience, tact, and (especially) humor.
Freeman's pleasantly wicked fourth novel (after Go with Me), set in smalltown rural Vermont, explores the moral choices of a good-hearted, meek sheriff. The laconic and gently self-deprecating sheriff, Lucian Wing, a middle-aged ex-navyman married to a prominent lawyer's daughter, has to decide whether to arrest a young ne'er do well who has broken into an opulent home owned by mysterious Russians and stolen a safe. The problem is that Wing feels for the young criminal, Sean Duke, who works as a laborer, has a winning way with the ladies and is known for his wild behavior. The childless sheriff regards the kid as a kind of bad-boy substitute son and knows that if he doesn't spirit Duke out of town, the Russians will get him first. Meanwhile, Sean makes inroads into the sheriff's chilly marriage, bringing Wing to a crisis of conscience. Freeman sets an intertwined network of provincial egos on a collision course and pulls it off through the wonderfully satisfying point of view of his deadpan sheriff.