Amanda
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- $12.99
Publisher Description
Love is the only lifeline.
“A historical romance of a grand, old-fashioned and very British variety, with hints of L.P. Hartley, D.H. Lawrence and Evelyn Waugh... Compelling and ultimately convincing, which is one of the most difficult things a love story can be.”—Mary Marge Locker, The New York Times Book Review
Post-WWI England is a nation in upheaval, its foundations shaken by the Great War and the collapse of genteel Edwardian society. The streets are haunted by shell-shocked men, runaways, mutilated veterans, damned poets, and revolutionaries.
Marion has fled Galway for Oxford after her elopement with a violent man ended violently. In the City of Dreaming Spires, where the cobbled streets, barely lit pubs, and underground book presses hum with restless energy, she meets Jamie, a damaged soul like her who is struggling to recover from his experiences at the front. He alone sees her scars. She alone knows his secret name. Their love is wild, anarchic, dangerous, absolute. Everything, it seems, is at stake. When the “talkers” in Marion’s head get too loud and the circumstances of her life too dire, she disappears, leaving Jamie bereft and without word. But their love is like gravity--an undeniable force pitted against the dark forces that would keep them apart.
At once an erotic drama, a formally inventive romantic epic, and a historical novel written with an emotional intensity that bears comparison to classics like Wuthering Heights, Patrick Hamilton’s Hangover Square, and Madame Bovary, Amanda is a poignant, atmospheric meditation on love, trauma, and redemption. H.S. Cross delivers an unforgettable novel on the infinite varieties of human experience.
PUBLISHERS WEEKLY
Cross (Grievous) delivers an intense psychological drama set in the aftermath of WWI, when an English headmaster searches for the woman he fell for when he was at Oxford. After surviving combat, Jamie becomes headmaster at St. Stephen's Academy. Despite his professional success, he continues to pine for Amanda, a lower-class Irish woman whom he dated before she suddenly left Oxford without explanation. Jamie has been writing to Amanda's friend, Diana, who reveals that Amanda is now working as a governess in London. In letters to Amanda, who now calls herself Marion, Jamie professes his desire to see her again. Cross alternates between Jamie's and Marion's perspectives, exploring Marion's history of abuse in Ireland and hinting at her reason for leaving Oxford. Now, with her newfound stability, Marion is committed to caring for her two charges and worries that a reunion with Jamie will unsettle her. Cross vigorously channels Jamie's trauma as well, injecting the story with his anger upon returning wounded from the war ("He railed against people's triumphalism, their high-handed theories and self-pitying grief"). It's a nuanced tale of love and loss.