Since it was first published, American Gods became an instant classic. Now discover the mystery and majesty of American Gods in this beautiful reissue of the Author's Preferred Text edition. Featuring a new preface by Neil Gaiman in honor of the novel's 20th anniversary, this commemorative volume is a true celebration of a modern masterpiece.
Locked behind bars for three years, Shadow did his time, quietly waiting for the magic day when he could return to Eagle Point, Indiana. A man no longer scared of what tomorrow might bring, all he wanted was to be with Laura, the wife he deeply loved, and start a new life.
But just days before his release, Laura and Shadow’s best friend are killed in an accident. With his life in pieces and nothing to keep him tethered, Shadow accepts a job from a beguiling stranger he meets on the way home, an enigmatic man who calls himself Mr. Wednesday. A trickster and a rogue, Wednesday seems to know more about Shadow than Shadow does himself.
Life as Wednesday’s bodyguard, driver, and errand boy is far more interesting and dangerous than Shadow ever imagined—it is a job that takes him on a dark and strange road trip and introduces him to a host of eccentric characters whose fates are mysteriously intertwined with his own.
APPLE BOOKS REVIEW
Do Americans worship anything besides money, beauty, phones, and cars? Ask Shadow, a man enlisted to serve a strange deity who’s taken human form and is looking for allies in a coming war between Old and New. American Gods, Neil Gaiman’s richly imagined pageturner, invites you to suspend disbelief and open yourself to the possibility that the divine world harbors something ancient, alive—and worth believing in. Gaiman’s fluid prose effortlessly propels Shadow through a thrilling, hall-of-mirrors plot.
Titans clash, but with more fuss than fury in this fantasy demi-epic from the author of Neverwhere. The intriguing premise of Gaiman's tale is that the gods of European yore, who came to North America with their immigrant believers, are squaring off for a rumble with new indigenous deities: "gods of credit card and freeway, of Internet and telephone, of radio and hospital and television, gods of plastic and of beeper and of neon." They all walk around in mufti, disguised as ordinary people, which causes no end of trouble for 32-year-old protagonist Shadow Moon, who can't turn around without bumping into a minor divinity. Released from prison the day after his beloved wife dies in a car accident, Shadow takes a job as emissary for Mr. Wednesday, avatar of the Norse god Grimnir, unaware that his boss's recruiting trip across the American heartland will subject him to repeat visits from the reanimated corpse of his dead wife and brutal roughing up by the goons of Wednesday's adversary, Mr. World. At last Shadow must reevaluate his own deeply held beliefs in order to determine his crucial role in the final showdown. Gaiman tries to keep the magical and the mundane evenly balanced, but he is clearly more interested in the activities of his human protagonists: Shadow's poignant personal moments and the tale's affectionate slices of smalltown life are much better developed than the aimless plot, which bounces Shadow from one episodic encounter to another in a design only the gods seem to know. Mere mortal readers will enjoy the tale's wit, but puzzle over its strained mythopoeia. (One-day laydown, June 19)
Great lead up but the climax was anticlimactic. I was like “huh”? That’s the resolution?
Watch the show first to help picture the characters.
A strange struggle the multiverse
It’s a very interesting perspective on the idea of what God is
Easy Reading for the Thinking Man
What I liked most about this book was the author’s style of writing. His easygoing style and flow make it a pleasure and a breeze to read.
No words, scenarios or characters are wasted. No loose ends. No cheapness.
The story is amazing and juicy with enough excitement to keep you hooked and entertained.
The only complaint is that it feels rushed, even lazily written at times. Almost as if the author didn’t care to fill in certain details which would have added value. He jumps from scene to scene a bit too quickly and you feel as if he is eager to get to the next plot point.