American Sideshow
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٤٫٨ - ٤ من التقييمات
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- 6٫99 US$
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- 6٫99 US$
وصف الناشر
A fascinating look into the history of the American sideshow and its performers. Learn what's real, what's fake, and what's just downright bizarre.
You've probably heard of Tom Thumb. The Elephant Man. Perhaps even Chang and Eng, the original Siamese twins. But what about Eli Bowen, the legless acrobat? Or Prince Randian, the human torso? These were just a few of the many stars that shone during the heyday of the American sideshow, from 1840 to 1950. American Sideshow chronicles the lives of truly amazing performers, examining these brave and extraordinary curiosities not just as sideshow performers but as people, delving into the lives they led and the ways they were able to triumph over and even benefit from their abnormalities.
American Sideshow discusses the rise and fall of the original sideshows and their subsequent replacement by today's self-made freaks. With the progress of modern medicine, technological advancements, and the wonderful world of body modification, abnormalities are being overcome, treated and even prevented: Siamese twins can now be separated, and in addition to this, tongues can be forked, horns surgically implanted, and earlobes removed. There are also, of course, modern-day giants, fire eaters, sword swallowers, glass eaters, human blockheads, and oh, so much more.
These fascinating personalities are celebrated through intimate biographies paired with stunning photographs. Approximately two hundred performers from the past one hundred and sixty years are featured, giving readers a comprehensive and sometimes astonishing look into the history of the American sideshow
PUBLISHERS WEEKLY
From the bearded women and half-men of the P.T. Barnum era to the bug-eating denizens of contemporary Coney Island, Hartzman leaves no circus tent unexplored in his history of freakish sideshow performers. The human curiosities, many of whom made a good living, are listed alphabetically within each chronological section and are accompanied by brief bios-based on sensationalist publicity for the older cases, and interviews with those still living-that include everything from anatomical details and medical explanations to minutiae about performers' social lives: Myrtle Corbin, the four-legged woman, for instance, "had five children-three born from her own body, and two from her twin's." "Insectavora," Coney Island's resident facial-tattooed bug-eater, "walks up a razor-sharp ladder of swords and is currently working on a whip-cracking act. During the off-season she works in a tattoo and body-piercing shop, and probably eats a more balanced diet." Hartzman's book succeeds as a curiosity-quencher, but not as a reference, as his source material, particularly for the early performers, is sketchy, but the book-and its marvelous collection of photos-will shock and amaze offbeat voyeurs.
