April Blood
Florence and the Plot against the Medici
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- $21.99
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- $21.99
Publisher Description
One of the world's leading historians of Renaissance Italy brings to life here the vibrant--and violent--society of fifteenth-century Florence. His disturbing narrative opens up an entire culture, revealing the dark side of Renaissance man and politician Lorenzo de' Medici.
On a Sunday in April 1478, assassins attacked Lorenzo and his brother as they attended Mass in the cathedral of Florence. Lorenzo scrambled to safety as Giuliano bled to death on the cathedral floor. April Blood moves outward in time and space from that murderous event, unfolding a story of tangled passions, ambition, treachery, and revenge. The conspiracy was led by one of the city's most noble clans, the Pazzi, financiers who feared and resented the Medici's swaggering new role as political bosses--but the web of intrigue spread through all of Italy. Bankers, mercenaries, the Duke of Urbino, the King of Naples, and Pope Sixtus IV entered secretly into the plot. Florence was plunged into a peninsular war, and Lorenzo was soon fighting for his own and his family's survival.
The failed assassination doomed the Pazzi. Medici revenge was swift and brutal--plotters were hanged or beheaded, innocents were hacked to pieces, and bodies were put out to dangle from the windows of the government palace. All remaining members of the larger Pazzi clan were forced to change their surname, and every public sign or symbol of the family was expunged or destroyed.
April Blood offers us a fresh portrait of Renaissance Florence, where dazzling artistic achievements went side by side with violence, craft, and bare-knuckle politics. At the center of the canvas is the figure of Lorenzo the Magnificent--poet, statesman, connoisseur, patron of the arts, and ruthless "boss of bosses." This extraordinarily vivid account of a turning point in the Italian Renaissance is bound to become a lasting work of history.
PUBLISHERS WEEKLY
One April Sunday in 1478, assassins with the support of a member of the Pazzi, one of Florence's leading families killed a member of the ruling family of Florence, Giuliano de Medici, and wounded his brother, Lorenzo. In the hands of Martines, a professor emeritus of European history at UCLA, the rebellion and Lorenzo's ensuing crackdown becomes a prism through which to view Renaissance Florence. He details the many people involved, from bankers to the king of Naples and even Pope Sixtus. Long seen as a "Renaissance man," Lorenzo was a poet and a patron of the arts. But Martines turns the story on its head. He sees the plot as a reaction to the corruption in Medici rule and the crackdown which included hangings and prohibitions against marrying female members of the Pazzi family as overly harsh: "t required war or a successful act of terrorism to overthrow Lorenzo, his cronies, and his creatures." While the crackdown temporarily saved the Medici rule, Martines argues that Lorenzo's ruthlessness eventually turned much of Florence against his family and foretold the end of Medici rule in the city. During the past few decades, historians have increasingly placed social, cultural and women's history at the center of European history. But not here. Drawing upon a lifetime of scholarship, Martines has created a book that places governmental politics at Renaissance Florence's center. And along the way, he has written a book as lively as its subject.
