Arrow of God Arrow of God

Arrow of God

    • 3.5 • 11 Ratings
    • $12.99
    • $12.99

Publisher Description

"My favorite novel." —Chimamanda Ngozi Adichie

“A magical writer—one of the greatest of the twentieth century.” —Margaret Atwood
 
“African literature is incomplete and unthinkable without the works of Chinua Achebe.” —Toni Morrison                   

The second novel in Chinua Achebe’s masterful African trilogy, following Things Fall Apart and preceding No Longer at Ease

 
When Things Fall Apart ends, colonial rule has been introduced to Umuofia, and the character of the nation, its values, freedoms, religious and socio-political foundations have substantially and irrevocably been altered. Arrow of God, the second novel in Chinua Achebe’s The African Trilogy, moves the historical narrative forward. This time, the action revolves around Ezeulu, the headstrong chief priest of the god Ulu, which is worshipped by the six villages of Umuaro. The novel is a meditation on the nature, uses, and responsibility of power and leadership. Ezeulu finds that his authority is increasingly under threat from rivals within his nation and functionaries of the newly established British colonial government. Yet he sees himself as untouchable. He is forced, with tragic consequences, to reconcile conflicting impulses in his own nature—a need to serve the protecting deity of his Umuaro people; a desire to retain control over their religious observances; and a need to gain increased personal power by pushing his authority to the limits. He ultimately fails as he leads his people to their own destruction, and consequently, his personal tragedy arises. Arrow of God is an unforgettable portrayal of the loss of faith, and the downfall of a man in a society forever altered by colonialism.

GENRE
Fiction & Literature
RELEASED
1989
January 1
LANGUAGE
EN
English
LENGTH
240
Pages
PUBLISHER
Penguin Publishing Group
SELLER
PENGUIN GROUP USA, INC.
SIZE
1.7
MB

Customer Reviews

Richard Bakare ,

Pride Kills

Following the masterful “Things Fall Apart,” Achebe’s work here shows a community tested now by the arrival of British colonialist but too embroiled in their own prideful squabbling to see the demise on the horizon. Growing up in a Nigerian household, the word Pride is heard a lot. Often in the context as a warning or rebuke. “Don’t let your pride... because of his pride... he is so prideful.” This book does a wonderful job of encapsulating the entire philosophy about the problem with pride.

Flying in close formation with self respect and dignity, the lines where prideful behavior starts and ends is blurry. Pride is a complicated thing. I look back on things and see where I also was to prideful, where I thought originally I was self-respecting. A line from the story that perfectly sums up this stubbornness is, “It troubles me,” he said, “because it looks like the saying of our ancestors that when brothers fight to death a stranger inherits their father’s estate.”

I really enjoyed and was pulled into the second part of The African Trilogy and look forward to finishing it with “No Longer At ease.” With every page, I see myself retracing my parents’ footsteps and understanding them a little more. The only disappointment is that I wish I had engaged these books when I was much younger.

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