Jonga and Krull had a routine job in the solar system defence organisation. Week after week and year after year they checked the asteroids. 23rd century astronomy had accurately charted 2,812 of those miniature worlds, compared with the 1,539 that are known to-day.
Suddenly a new asteroid appears, and a survey expedition under Squadron-leader Gregg Masterson, is sent out to investigate. They expedition fails to return, and when the watching asteroid observation corps make another anxious check, they find that the mysterious planetoid has disappeared as mysteriously as it came. A second expedition is launched under General Rotherson himself. An expedition that finds the wreckage of the survey ships, and the bodies of every man except Gregg Masterson.
Where is the missing Squadron leader?
Who is the terrible ageless asteroid man? So strong that he can control the destinies of a planet. What is the beautiful Princess Astra of Altain doing in the labyrinth below the surface of the asteroid?
British author Titchmarsh (Rosie) brings the art world alive in this engaging romantic drama. In 2007, James "Jamie" Ballantyne reconnects with childhood chum and flame, Artemis "Missy" King, who resurfaces in the showroom of Jamie's auction house in Bath to bid on a painting on behalf of her grandfather. The reunited couple discover that a set of paintings by Sir Alfred James Munnings, owned by Missy's grandfather (himself owner of an established fine art gallery), are fakes. Their investigation reveals a long thread of family secrets and the source of the feud between their two families, revelations that cause the couple to split up. Titchmarsh alternates between the present and the story of Jamie's grandfather, Harry Ballantyne, and Missy's grandmother, Eleanor King, who met as art students at Oxford. The effect is nostalgic and builds anticipation and curiosity in the history of the two families, including the story behind the lost love of their grandparents.