Blowfish
A Novel
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- $4.99
Publisher Description
"Postmodernism is alive and well in Kyung-Ran Jo’s latest . . . Blowfish is a book to chew on and savor, a deft delve into the intricacies of love and art."
—Michael Welch, Chicago Review of Books
For readers of Han Kang and Sheila Heti, an atmospheric, melancholic novel about a successful sculptor who decides to commit suicide by artfully preparing and deliberately eating a lethal dish of blowfish.
Blowfish is a postmodern novel in four parts, alternating between the respective stories of a female sculptor and a male architect. Death is the motif connecting these parallel lives. The sculptor’s grandmother killed herself by eating poisonous blowfish in front of her husband and child, while the architect’s elder brother leapt to his death from the fifth floor of an apartment building. Now, both protagonists are contemplating their own suicides. The sculptor and architect cross paths once in Seoul, and meet again in Tokyo, while the sculptor is learning to prepare a fatal serving of blowfish.
The narrative loosely approximates a love story, but this is no romance in the normal sense. For the woman, the man is a pitstop on the road to her own suicide. For the man, the woman forestalls death and offers him a final chance. Through the conflicting impressions they have of one another, the characters look back on their lives; it is only the desire to create art that calls them back from death.
Evoking the heterogeneous urban spaces of Seoul and Tokyo, Blowfish delves into the inner life of a woman contemplating her failures in love and art. Jo’s fierce will to write animates the novel; the lethal taste of blowfish, which one cannot help but eat even though one may die in doing so, approximates the inexorable pains of writing a novel.
PUBLISHERS WEEKLY
A melancholic sculptor plans to make a final work of art out of her suicide in the weighty latest from Jo (Tongue). The story opens during a winter in Seoul, where the unnamed woman's gallery exhibition garners widespread attention. Despite her success, she remains depressed, but manages to garner a residency at Tokyo's Mori Art Museum. She plans to hang herself from a cherry tree in Ueno Park, but changes course after having a vision of her grandmother, who'd killed herself by ingesting a bowl of poisonous blowfish soup in the presence of her family, including the sculptor's father, who was then only nine years old. Later, she develops a friendship with a Tokyo-based Korean architect. As the story progresses, the sculptor hatches a new plan to end her life, which involves convincing her architect friend to accompany her to the largest fish market in Tokyo to ferret out a blowfish. Jo's atmospheric writing distills the novel's mood from its settings (Seoul is "the color of oxidized blood"; a Tokyo fish market is "slick and slimy with water and blood and discarded guts"), while details about the sculptor's family history inform her chilling determination to die. It's a memorable existential tale.
