



Blueprints of the Afterlife
A Novel
-
- $11.99
-
- $11.99
Publisher Description
A tour de force novel from the “wickedly talented” (The Boston Globe) and “darkly funny” author of Misconception (The New York Times Book Review).
Finalist for the Philip K. Dick Award
It is the afterlife. The end of the world is a distant, distorted memory called “the Age of Fucked Up Shit.” A sentient glacier has wiped out most of North America. Medical care is supplied by open-source nanotechnology, and human nervous systems can be hacked.
Abby Fogg is a film archivist with a niggling feeling that her life is not really her own. She may be right. Al Skinner is a former mercenary for the Boeing Army, who’s been dragging his war baggage behind him for nearly a century. Woo-jin Kan is a virtuoso dishwasher with the Restaurant and Hotel Management Olympic medals to prove it. Over them all hovers a mysterious man named Dirk Bickle, who sends all these characters to a full-scale replica of Manhattan under construction in Puget Sound. An ambitious novel that writes large the hopes and anxieties of our time—climate change, social strife, the depersonalization of the digital age—Blueprints of the Afterlife will establish Ryan Boudinot as an exceptional novelist of great daring.
“Duct-tape yourself to the front of this roller coaster and enjoy the ride.” —The New York Times
“Challenging, messy and funny fiction for readers looking for something way beyond space operas and swordplay.” —Kirkus Reviews
“The absurdities are cleverly crafted and highly entertaining. Imaginative [and] heartfelt.” —Hannah Calkins, Shelf Awareness
“Ingenious . . . Frenzied, hilarious, and paranoid . . . A bracing dystopian romp through contemporary dread.” —Publishers Weekly
“Probably the strangest post-apocalyptic novel in ages.” —io9
“What an inspired mindfuck of a book!” —City Paper (Baltimore)
PUBLISHERS WEEKLY
Boudinot \x99s ingenious second novel (after Misconception) takes readers on a frenzied, hilarious, and paranoid trip through a hypernetworked near future. The story takes place after an apocalypse known as the FUS, or "the age of Fucked Up Shit" (which includes a monstrous war between humans and androids called "newmans," fought by branded armies such as Pfizer and Boeing using weaponry made by Nike, Coca-Cola, and other companies). The story unfolds from the perspective of characters for whom post-FUS reality is, at best, in flux. They hallucinate. They encounter a giant celestial head and extraterrestrials who alter the already unmanageable courses of their lives. They're genetically engineered and can erase troubling memories, but can't escape feeling troubled. Implants allow a biological Internet (Bionet) to provide medical care remotely, wirelessly downloading "hormones, enzymes, and antigens" directly into the body. This also opens the door to radical hacking by "DJs" who, when they grow tired of their victims, can leave them on autopilot, sometimes dooming them to compulsively watch reality television as sadistic as its present-day incarnation but far more surreal. On one level, the afterlife is a video game that may be, entirely or partially, the creation of a delusional computer programmer who knows that it's not a game. At times Boudinot writes with more exuberance than clarity, and some questions or threads are never answered or fully explored, resulting in sloppiness that may frustrate some readers. But those who are drawn in by the wonderful Woo-jin Kan, the world's best dishwasher, won't want to put the book down until they've devoured the last line. Like replaying a game, familiarity enhances recognition of what's important, and the first chapter is worth rereading in light of what follows, if only to put into better perspective its ending call: Help me! A bracing dystopian romp through contemporary dread, extrapolated.