In 1892 Paris, Julius Stewart painted The Baptism, a Vanderbilt family scene that contains an embarrassing secret. In the present day, art historian Grace Atwood becomes obsessed with the painting and its hidden clues for reasons that have more to do with her personal ghosts. Either her doting husband is trying to make her think she’s crazy, or she really is in the early stages of dementia.
The author says, "Since this book was released, my whitepaper, "Deconstructing the Scandalous Narrative of The Baptism" was featured in the Fall 2016 issue of the prestigious Journal of Art Crime. Readers are curious (as am I), and art curators are not telling, what will happen next in the real-world mystery behind this painting."