Chasing the Sea
Lost Among the Ghosts of Empire in Central Asia
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5,0 • 2 đánh giá
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- 13,99 US$
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- 13,99 US$
Lời Giới Thiệu Của Nhà Xuất Bản
In 1996, Tom Bissell went to Uzbekistan as a na•ve Peace Corps volunteer. Though he lasted only a few months before illness and personal crisis forced him home, Bissell found himself entranced by this remote land. Five years later he returned to explore the shrinking Aral Sea, destroyed by Soviet irrigation policies. Joining up with an exuberant translator named Rustam, Bissell slips more than once through the clutches of the Uzbek police as he makes his often wild way to the devastated sea.
In Chasing the Sea, Bissell combines the story of his travels with a beguiling chronicle of Uzbekistan’s striking culture and long history of violent subjugation by despots from Jenghiz Khan to Joseph Stalin. Alternately amusing and sobering, this is a gripping portrait of a fascinating place, and the debut of a singularly gifted young writer.
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Bissell's first journey to the former Soviet republic of Uzbekistan as a Peace Corps volunteer in 1996 was cut short by heartache and illness. Memories of that failure dog his return in 2001 to write about the rapidly deteriorating ecosystem of the Aral Sea. Once the size of Lake Michigan, the sea has already lost most of its water and will likely disappear by the middle of the next decade, leaving thousands of square kilometers of salty desert. Journalist Bissell examines that story, but also ponders broader questions about Uzbekistan and its people. Hooking up with Rustam, a young interpreter, he sets off on a road trip across the country. The format of the ensuing travelogue cum history lesson resembles that of itinerant political commentators like Robert Kaplan, right down to the repulsively exotic cuisine (e.g., boiled lamb's head) and digressionary mini-essays on the history of European imperialism in Central Asia. But Bissell rails against the way other authors "pinion entire cultures based upon how morning has gone," aiming for a more accurate and balanced portrayal. An ongoing dialogue with Rustam over the region's history and culture, and the extent to which both were shaped by the Soviets, adds a personal dimension. The account doesn't flinch from portraying the region's corruption crooked cops appear regularly on the scene but despite the frequent bouts of despair, for both the region and himself, Bissell refuses to give up on the Uzbeks entirely. The humor and poignancy in this blend of memoir, reportage and history mark the author as a front-runner in the next generation of travel writers.
