Private eye Sharon McCone receives an e-mail asking for help from her emotionally disturbed half brother Darcy Blackhawk. She replies . . . but gets no response. As Sharon digs deeper, she discovers that Darcy sent his message from an Internet cafe in San Francisco, a city he's never been to before. Sensing that her brother is in terrible danger, Sharon begins a search for him throughout the city.
The investigation leads her to the body of a woman at the Palace of Fine Arts, where a witness had told her that Darcy was headed. Then, as she digs deeper, Sharon uncovers a connection to the unsolved murder of a young heiress to a multimillion-dollar banking fortune. Now Sharon must race to solve both murders and ensure her brother's safety, despite the imminent danger that lurks within her own family.
An e-mailed cry for help from Sharon McCone's troubled half-brother, Darcy Blackhawk, sucks McCone into a treacherous vortex of madness, greed, and murder in bestseller Muller's exciting 30th mystery starring the no-nonsense San Francisco PI (after 2010's Coming Back). Though McCone, still recovering from the bullet to the brain that nearly killed her, has pressing problems of her own, she and nephew/operative Mick Savage must hustle to find the psychologically deteriorating Darcy, who's disappeared. Their urgency increases as clues seem to link him with the unsolved strangling of a young heiress two years earlier and a pair of fresher corpses. Alternating chapters narrated by different characters add to the suspense of the intricate plot, which propels readers through a San Francisco few tourists see from Colma, the city's necropolis, to the exclusive mansions of Sea Cliff and to a harrowing, haunting denouement.
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Keep your politics out of your books
I'm so sick of liberal authors bringing their personal politics into their writings when it adds NOTHING to the storyline. I don't get it! Why do they want to alienate at least half their readers? Please stop.