Closing Time
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3,7 • 7 đánh giá
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- 7,99 US$
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- 7,99 US$
Lời Giới Thiệu Của Nhà Xuất Bản
This “dead perfect” noir-inflected murder mystery carries readers from New York City’s most elite precincts to its dirtiest gutters (Robert B. Parker).
Two years ago, writer Terry Orr lost his wife and infant son when a lunatic pushed them into the path of a subway train. Dissatisfied with the police response, he’s been looking for the killer himself ever since. Somewhere along the way, while raising his precocious daughter and continuing his search, he also becomes a legitimate private eye.
First, Terry encounters the brutal murder of a livery cab driver, which he’s determined to solve. Then, he’s drawn into the world of high art and ruthless ambition after a SoHo gallery is destroyed by a bomb blast. And when the two cases collide, Terry might be fatally out of his depth . . .
Wall Street Journal writer Jim Fusilli exploded onto the mystery scene with this debut novel hailed as “a gorgeous nightmare” (The New York Times Book Review).
Closing Time is the 1st book in the Terry Orr Mysteries, but you may enjoy reading the series in any order.
PUBLISHERS WEEKLY
This first novel by the Wall Street Journal music critic mixes a noirish, suspense-packed story and sharply defined characters, including Diddio, an affable, spacey music critic. Two years earlier, a lunatic pushed writer/researcher Terry Orr's acclaimed artist wife and their infant son beneath a subway train, leaving Terry and his precocious 10-year-old daughter, Bella, bereft. Impatient with the slow-moving official investigation, Terry took out a private detective's license so he could catch Raymond Montgomery Weisz, the elusive suspect. One strand of this often violent story follows guilt-ridden, obsessive Terry's fruitless search for Weisz. Another concerns his inquiry into the murder of a livery cab driver. When a bomb explodes at a SoHo art gallery and severely injures the owner, Terry takes on that case, too. The investigations lead from an academically challenging private school for African-American children in Harlem to the bars and studios of cutting-edge artists in lower Manhattan. Fusilli is an imaginative, daring writer, creating a pulsating, nightmarish Manhattan where position and appearance are deceptive. Terry and Bella are a closely knit father and daughter rebuilding their lives while exorcising the tragedy in their past. Fusilli contrasts this loving relationship with the horrors of disintegrating families and child prostitution Terry uncovers elsewhere. The separate cases don't so much combine as collide after Terry makes a few intuitive leaps. Readers will anxiously await the sequel to this outstanding debut.
