Coop
A Year of Poultry, Pigs, and Parenting
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4.1 • 18 Ratings
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- $13.99
Publisher Description
“You can read Michael Perry’s Coop as an outrageously funny comedy about a semi-hapless neophyte navigating the pitfalls (and pratfalls) of the farming life. Please do, in fact. But scratch a little deeper, past Perry’s lusciously entertaining and epigrammatic prose, his ultra-charming combo of Midwestern earnestness and serrated wit, and you’ll find a reflective, sincere, and surprisingly touching-at times, even heart-cracking-story about a man struggling to put down roots.” — Jonathan Miles, author of Want Not
In over his head with two pigs, a dozen chickens, and a baby due any minute, the acclaimed author of Population: 485 gives us a humorous, heartfelt memoir of a new life in the country.
Living in a ramshackle Wisconsin farmhouse—faced with thirty-seven acres of fallen fences and overgrown fields, and informed by his pregnant wife that she intends to deliver their baby at home—Michael Perry plumbs his unorthodox childhood for clues to how to proceed as a farmer, a husband, and a father.
Whether he’s remembering his younger days—when his city-bred parents took in sixty or so foster children while running a sheep and dairy farm—or describing what it’s like to be bitten in the butt while wrestling a pig, Perry flourishes in his trademark humor. But he also writes from the quieter corners of his heart, chronicling experiences as joyful as the birth of his child and as devastating as the death of a dear friend.
PUBLISHERS WEEKLY
Perry (Population: 485) is that nowadays rare memoirist whose eccentric upbringing inspires him to humor and sympathetic insight instead of trauma mongering and self-pity. His latest essays chronicle a year on 37 acres of land with his wife, daughters and titular menagerie of livestock (who are fascinating, exasperating personalities in their own right). But these luminous pieces meander back to his childhood on the hardscrabble Wisconsin dairy farm where his parents, members of a tiny fundamentalist Christian sect, raised him and dozens of siblings and foster-siblings, many of them disabled. Perry's latter-day story is a lifestyle-farming comedy, as he juggles freelance writing assignments with the feedings, chores and construction projects that he hopes will lend him some mud-spattered authenticity. Woven through are tender, uncloying recollections of the homespun virtues of his family and community, from which sprout lessons on the labors and rewards of nurturance (and the occasional need to slaughter what you've nurtured). Perry writes vividly about rural life; peck at any sentence "One of the stretches, one leg and one wing back in the manner of a ballet dancer warming up before the barre" and you'll find a poetic evocation of barnyard grace. Photos.
