Dancing on My Own
Essays on Art, Collectivity, and Joy
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- $12.99
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- $12.99
Publisher Description
A The Millions and Hyperallergic Most Anticipated Book of 2024 | A Publishers Weekly Summer Reads Pick
"A book that emerges out of the moment, electric with timely energies." –Washington Post
“Keen and refreshing.” –Cathy Park Hong
"Genius." –Claudia Rankine
An expansive and deeply personal essay collection which explores the aesthetics of class aspiration, the complications of creating art and fashion, and the limits of identity politics.
In Robyn’s 2010 track Dancing on My Own, the Swedish pop-singer chronicles a night on the dance floor in the shadow of a former lover. She is bitter, angry, and at times desperate, and yet by the time the chorus arrives her frustration has melted away. She decides to dance on her own, and in this way, she transforms her solitude into a more complex joy.
Taking inspiration from Robyn’s seminal track, emerging art critic and curator Simon Wu dances through the institutions of art, capitalism, and identity in these expertly researched, beautifully rendered essays. In “A Model Childhood” he catalogs the decades’ worth of clutter in his mother’s suburban garage and its meaning for himself and his family. In “For Everyone,” Wu explores the complicated sensation of the Telfar bag (often referred to as “the Brooklyn Birkin”) and asks whether fashion can truly be revolutionary in a capitalist system—if something can truly be “for everyone” without undercutting someone else. Throughout, Wu centers the sticky vulnerability of living in a body in a world where history is mapped into every choice we make, every party drug we take, and every person we kiss.
Wu’s message is that to dance on your own is to move from critique into joy. To approach identity with the utmost sympathy for the kinds of belonging it might promise, and to look beyond it. For readers of Cathy Park Hong and Alexander Chee, Dancing on My Own is a deeply felt and ultimately triumphant anthem about the never-ending journey of discovering oneself, and introduces a brilliant new writer on the rise.
PUBLISHERS WEEKLY
This exhilarating debut essay collection from art curator Wu uses cultural artifacts as springboards to reflect on connection, sexuality, and the immigrant experience. In "A Model Childhood," Wu recounts how he was inspired by artist Ken Okiishi to create an exhibition displaying the miscellany Wu's parents had kept from his childhood, suggesting that the preservation of McDonald's toys, piggy banks, and plushies stemmed from a scarcity mindset borne of his parents' move from Myanmar to the U.S. in the late 1990s. Fashion designer Telfar Clemens's "downmarket collaborations with brands like Budweiser, Eastpak, UGG, and White Castle" blur the line between high- and low-fashion and create the possibility of "a more progressive cultural class," Wu argues in "For Everyone." Several pieces meditate on the liberatory potential of dance, as in "Party Politics," where Wu discusses how at raves created by queer people of color, "partying performs a dual, somewhat self-contradictory social function: it can let you perform an identity, and it can let you forget you have one at all." Wu blends tender personal reflection with probing analysis of the works of Ching Ho Cheng and James Baldwin, among other artists and writers. Throughout, exegesis of Robyn's music provides a thematic through line, expounding on what the pop star's songs can teach listeners about staking one's independence and finding joy amid sadness. This dynamic first outing heralds the arrival of a promising new talent.