Dead in Long Beach, California
A Novel
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2.7 • 3 Ratings
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- $13.99
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- $13.99
Publisher Description
Named a Most Anticipated Book of 2024 by The New York Times, the Los Angeles Times, Today, Electric Literature, Alta, the Chicago Review of Books and The Millions
"Told by machines from the future, Blackburn’s idiosyncratic grief novel is as freshly devastating as they come." —The New York Times Book Review
"You can try bracing yourself for the ride this story takes you on, but it's best to just surrender. Your wig is going to fall off no matter what you do." —Saeed Jones, author of How We Fight for Our Lives
A gut-busting and heartbreaking descent into one woman's fraying connection to reality, from a soon-to-be superstar.
Coral is the first person to discover her brother Jay’s dead body in the wake of his suicide. There’s no note, only a drably furnished bachelor pad in Long Beach, California, and a cell phone with a handful of numbers in it. Coral pockets the phone. And then she starts responding to texts as her dead brother.
Over the course of one week, Coral, the successful yet lonely author of a hit dystopian novel, Wildfire, becomes increasingly untethered from reality. Blindsided by grief and operating with reckless determination, she doubles —and triples—down on posing as her brother, risking not only her own sanity but her relationship with her precocious niece, Khadijah. As Coral’s swirl of lies slowly closes in on her, the quirky and mysterious alien world of Wildfire becomes enmeshed in her own reality, in the process pushing long-buried memories, traumas, and secrets dangerously into the present.
A form-shifting and soul-crunching chronicle of grief and crisis, Venita Blackburn’s debut novel, Dead in Long Beach, California, is a fleet-footed marvel of self-discovery and storytelling that explores the depths of humankind’s capacity for harm and healing. With the daring, often hilarious imagination that made her an acclaimed short-fiction innovator, Blackburn crafts a layered, page-turning reckoning with what it means to be alive, dead, and somewhere in between.
APPLE BOOKS REVIEW
Grief pushes a writer to break with reality in this stunning and surreal novel. Everything is going well for Coral, author of the dystopian novel Wildfire, until the moment she discovers her brother Jay’s dead body and grabs his phone, answering his incoming texts as if he’s still alive. The stress of maintaining the lie, not to mention the crushing sense of loss, quickly sends Coral into a dissociative state—and soon she can’t differentiate between the real world and the one she’s created. Debut novelist Venita Blackburn has been praised for her inventive short fiction, and that same eccentric genius is on full display here. Her tale of an author taking refuge in her own fictional world is packed with clever commentary about the creative process and full of otherworldly touches reminiscent of Philip K. Dick and Octavia Butler.
PUBLISHERS WEEKLY
In Blackburn's bold and formally inventive debut novel (after the collection How to Wrestle a Girl), a Black gay graphic novelist impersonates her dead brother. Coral has discovered her brother Jay's body in his Long Beach, Calif., apartment, after his death by suicide. As her grief moves in its own particular way, she neglects to tell her niece Khadija or others the news, and replies to text messages meant for Jay in his voice. Blackburn's entire novel is narrated by the mysterious chorus from Coral's popular graphic novel Wildfire, and Blackburn alternates from chronicles of Coral's day-to-day swiping on dating apps and concerns that Khadija will catch on to her deception to long sections from Wildfire's AI-like chorus, which describes the detritus of humanity after an apocalypse. Also in the mix are Coral's flashbacks to her teen years growing up in Compton in the 1990s, when she had a crush on Jay's girlfriend, the future mom of Khadija, and later coming out to 14-year-old Khadija but not to Jay. While the excerpts from Wildfire can be dense and obscure, Blackburn is an excellent prose stylist. Coral's sections are full of acerbic wit (an "exhausting" trip to Medieval Times for Khadija's benefit is one of those "miserable situations" people enter into "with the belief that someone they loved would be happy there"). This ambitious effort is worth a look.
