Dead Lucky
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- US$9.99
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- US$9.99
출판사 설명
Jump jockey Harry Radcliffe is thrown into another dark mystery when a good friend is left fighting for his life after being struck by a bullet.
A day of celebration quickly turns into a nightmare for champion jockey Harry Radcliffe and his friend, horsebox driver Keith Whelan, when Keith is brutally shot in the head while driving the pair back from an engagement party. But was the bullet that smashed through the horsebox windscreen really meant for Keith, or for Harry himself? Harry escapes unscathed from the bloody scene, but Keith is left fighting for his life in hospital. It seems that Harry is dead lucky to be alive.
Despite his recent vow to focus solely on his racing, Harry determines to find out who committed such a brutal act, and quickly finds himself drawn into horse racing’s dark and dangerous underbelly. Will his pursuit of justice for Keith prove to be a deadly step too far?
PUBLISHERS WEEKLY
British author Wilson's plodding fifth mystery featuring champion jump jockey Harry Ratcliffe (after 2019's Dead Heat) opens with a literal bang. The noise wakes up Harry, who's been dozing in the horsebox that his friend Keith Whellan has been driving, to see Keith has been shot and is bleeding profusely. Quick-witted Harry takes control of the vehicle, gives Keith medical aid, and calls for an ambulance. Since Harry has a reputation for solving murder cases, the question on everyone's lips is: was the bullet meant for Keith, who survives the shooting, or Harry? Despite emphatically stating that he won't investigate, Harry gets on the case. His first lead comes from Ginnie Cutler, part of the cleaning staff for racing venues in the Midlands. Ginnie overheard a suspicious conversation between two thuggish men who, when they discovered her, threatened to harm her grandchild if she told anyone what she had heard. She, of course, tells Harry, who's soon chasing a small but deadly pack of vicious criminals. Authentic racetrack scenes make up only in part for characters who tend to merge (the villains are all one-dimensional nutcases) and a routine plot. Dick Francis this is not.
