Death and the Maidens
Fanny Wollstonecraft and the Shelley circle
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- $5.99
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- $5.99
Publisher Description
1816 was the fateful year when the Romantic poet Shelley and his lover Mary shared a hectic creative and sexual menage in Switzerland with Lord Byron. This intense period drew from the men some of the greatest poetry of the age; from Mary, it elicited the seminal figures of Frankenstein and his Creature. But for other women close to Shelley it was a time of tragedy. At the heart of the story are Fanny Wollstonecraft and Harriet Westbrook, women whose lives were literally overwhelmed by him – and who both committed suicide before the year was out.
"Not only a splendid work of feminist history, this is an important addition to late 18th- and early 19-century literary criticism." - Publishers Weekly (starred review)
PUBLISHERS WEEKLY
It is little surprise that there has been no major biography of Fanny Wollstonecraft first daughter, by an American lover, of brilliant feminist theorist Mary Wollstonecraft and elder half-sister of Frankenstein author Mary Wollstonecraft Shelley. Fanny produced no books, lived in the shadow of others and found her feelings for Percy Bysshe Shelley ignored, as the poet favored, then married, Mary. Fanny spent a great deal of time as a go-between, helping smooth over the endless sexual and social intrigues of the Shelley and Byron circle. Realizing none of her own dreams, she committed suicide in 1816 at the age of 22. There are moments of terrific insight, such as Mary's odd, confused reaction to Fanny's death and her transforming Fanny into the ill-fated servant girl Justine in Frankenstein, who is unjustly accused of killing a child. Todd has rescued Fanny from ill-deserved obscurity, yet the biography is more of a meditation on the role of all of the women in Byron and Shelley's circle, and its power lies in Todd's soundly and generously feminist reimagining of these women's lives. Not only a splendid work of feminist history, this is an important addition to late 18th- and early 19-century literary criticism.
