Don't Mean Nothing

PUBLISHERS WEEKLY 2001년 10월 8일

It's a pleasure when a new writer has something to say and says it well. Former army nurse O'Neill's debut story collection captures the physical and psychological tensions of her 13-month tour of duty in Vietnam with refreshing maturity and a profound sense of compassion. The title, she explains in her penetratingly honest introduction, is "an all-purpose underdog rallying cry a sarcastic admixture of 'cool,' comedy, irony, agony, bitterness, frustration, resignation, and despair." It addresses the need of the Americans in Vietnam to harden themselves while maintaining their humanity a battle that often seems as unwinnable as the war. O'Neill presents a portrait gallery of nurses, soldiers, and natives, grouped into three sections reflecting the three hospitals where she worked. In "The Boy from Montana," a veteran nurse recalls a casualty of war along with her na ve assumptions about medical conditions under fire; "Butch" details the attachment an American soldier forges with a little Vietnamese boy. "Monkey on Our Backs" follows a nurse's efforts to rid the world of her commanding officer's annoying pet, and features a bizarrely funny confession and some unexpected entrepreneurial ingenuity. In another darkly humorous tale, "Commendation," an archetypal schemer named Scully provides a cynic's guide to bureaucratic logic. While many of the images Bob Hope's USO show, the secret war in Cambodia, the music of the times are familiar, they are made fresh through the nurse's viewpoint. O'Neill's stories are both entertaining and thought-provoking, especially when she depicts feigned indifference to all kinds of pain. Focused and sympathetic, this is a valuable contribution to the mostly macho literature of Vietnam.