George Mallory was out for a quiet day's shooting. A typical country-man, in typical English country. His day's sport was interrupted by the beginning of the greatest catastrophe in man's history - an alien space ship was crashing as his feet.
The ghastly monstrosity that emerged was so hideously repulsive that no one would have guessed at the degree of intelligence and potential friendliness in its strange mind.
Mallory shot first and asked questions afterwards. With its dying strength, the alien cursed the earth with a scientific horror beyond the comprehension of man, a horror that turned the beasts against us.
The only escape seemed to lie out in space... but the devastating effect of the cosmic rays wrought havoc in the minds of the space men and the lunar expedition turned on itself in deadly carnage.
What would be the outcome of the terrible conflict between man and beast?
British author Titchmarsh (Rosie) brings the art world alive in this engaging romantic drama. In 2007, James "Jamie" Ballantyne reconnects with childhood chum and flame, Artemis "Missy" King, who resurfaces in the showroom of Jamie's auction house in Bath to bid on a painting on behalf of her grandfather. The reunited couple discover that a set of paintings by Sir Alfred James Munnings, owned by Missy's grandfather (himself owner of an established fine art gallery), are fakes. Their investigation reveals a long thread of family secrets and the source of the feud between their two families, revelations that cause the couple to split up. Titchmarsh alternates between the present and the story of Jamie's grandfather, Harry Ballantyne, and Missy's grandmother, Eleanor King, who met as art students at Oxford. The effect is nostalgic and builds anticipation and curiosity in the history of the two families, including the story behind the lost love of their grandparents.