With 97 illustrations by Gustave Dore. According to Wikipedia: "The Douay-Rheims Bible, also known as the Rheims-Douai Bible or Douai Bible and abbreviated as D-R, is a translation of the Bible from the Latin Vulgate into English. The New Testament was published in one volume with extensive commentary and notes in 1582. The Old Testament followed in 1609ñ10 in two volumes, also extensively annotated. The notes took up the bulk of the volumes and had a strong polemical and patristic character. They also offered insights on issues of translation, and on the Hebrew and Greek source texts of the Vulgate. The purpose of the version, both the text and notes, was to uphold Catholic tradition in the face of the Protestant Reformation which was heavily influencing England. As such it was an impressive effort by English Catholics to support the Counter-Reformation. Although the Jerusalem Bible, New American Bible (in the United States), the Revised Standard Version, the New Revised Standard Version and the New Jerusalem Bible are the most commonly used in English-speaking Catholic churches, the Challoner revision of the Douay-Rheims is still often the Bible of choice of English-speaking Traditionalist Catholics... "Paul" Gustave DorÈ (January 6, 1832 ñ January 23, 1883) was a French artist, printmaker, illustrator and sculptor. DorÈ worked primarily with wood engravingÖ At the age of fifteen DorÈ began his career working as a caricaturist for the French paper Le Journal pour rire, and subsequently went on to win commissions to depict scenes from books by Rabelais, Balzac, Milton and Dante... In the 1860s he illustrated a French edition of Cervantes's Don Quixote, and his depictions of the knight and his squire, Sancho Panza, have become so famous that they have influenced subsequent readers, artists, and stage and film directors' ideas of the physical "look" of the two characters. DorÈ also illustrated an oversized edition of Edgar Allan Poe's "The Raven", an endeavor that earned him 30,000 francs from publisher Harper & Brothers in 1883. DorÈ's illustrations for the English Bible (1866) were a great success, and in 1867 DorÈ had a major exhibition of his work in London. This exhibition led to the foundation of the DorÈ Gallery in Bond Street, London... DorÈ's later work included illustrations for new editions of Coleridge's Rime of the Ancient Mariner, Milton's Paradise Lost, Tennyson's The Idylls of the King, The Works of Thomas Hood, and The Divine Comedy. DorÈ's work also appeared in the weekly newspaper The Illustrated London News."