Empire's Son, Empire's Orphan
The Fantastical Lives of Ikbal and Idries Shah
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- $25.99
Publisher Description
A rollicking story of two literary fabulists who revealed the West’s obsession with a fabricated, exotic East.
In the highbrow literary circles of the mid-twentieth century, a father and son spread seductive accounts of a mystical Middle East. Claiming to come from Afghanistan, Ikbal and Idries Shah parlayed their assumed identities into careers full of drama and celebrity, writing dozens of books that influenced the political and cultural elite. Pitching themselves as the authentic voice of the Muslim world, they penned picaresque travelogues and exotic potboilers alongside weighty tomes on Islam and politics. Above all, father and son told Western readers what they wanted to hear: audacious yarns of eastern adventure and harmless Sufi mystics—myths that, as the century wore on and the Taliban seized power, became increasingly detached from reality.
Empire’s Son, Empire’s Orphan follows the Shahs from their origins in colonial India to literary London, wartime Oxford, and counterculture California via the Levant, the League of Nations, and Latin America. Nile Green unravels the conspiracies and pseudonyms, fantastical pasts and self-aggrandizing anecdotes, high stakes and bold schemes that for nearly a century painted the defining portrait of Afghanistan. Ikbal and Idries convinced poets, spies, orientalists, diplomats, occultists, hippies, and even a prime minister that they held the key to understanding the Islamic world. From George Orwell directing Muslim propaganda to Robert Graves translating a fake manuscript of Omar Khayyam and Doris Lessing supporting jihad, Green tells the fascinating tale of how the book world was beguiled by the dream of an Afghan Shangri-La that never existed.
Gambling with the currency of cultural authenticity, Ikbal and Idries became master players of the great game of empire and its aftermath. Part detective story, part intellectual folly, Empire’s Son, Empire’s Orphan reveals the divergence between representation and reality, between what we want to believe and the more complex truth.
APPLE BOOKS REVIEW
This thoroughly fascinating biography tells the tale of two authors who sought to forge ties between Eastern and Western cultures through their writing. Thing is, they weren’t telling the truth at all. Historian Nile Green recounts the lives of Ikbal and Idries Shah, a wealthy Indian father and son who positioned themselves as experts on countries like Afghanistan, selling a mystical image of exotic spirituality to unknowing early 20th-century Brits—almost all of which they invented from whole cloth. Green doesn’t depict his subjects as fraudulent villains, instead focusing on what their motives were. He does a formidable deep dive into how messy gray areas of colonialism spawned fake Orientalist ideas from those who could benefit from misrepresenting reality. If the ideas of fascinating fraudsters or vivid Middle Eastern travelogues pique your interest, Empire’s Son, Empire’s Orphan will captivate.
PUBLISHERS WEEKLY
UCLA historian Green debuts with a captivating biography of father and son literary fabulists Ikbal and Idries Shah. Born in 1894 into a wealthy Muslim family in colonial India and sent to Britain for his schooling, Ikbal eventually abandoned his studies, instead indulging his literary aspirations by publishing poetry. Capitalizing on British popular interest in the region due to ongoing conflict, he positioned himself as an expert on Afghanistan (he was descended from an Afghan chieftain), penning several guidebooks. He went on to fabricate many more bestselling travelogues for places he'd never visited, along the way inventing stories about Eastern mysticism. Idries followed in his father's footsteps, presenting himself as an authority on Sufism, though much of what he wrote on the topic was fanciful; he earned a devoted following in the 1960s, which included Doris Lessing. In a famous episode, Idries convinced classicist Robert Graves to translate a manuscript by the medieval mystic Omar Khayyam—purportedly a Shah family heirloom—that turned out to be fake. Green's finely wrought narrative presents father and son as, in some ways, boxed into their grift by the strictures of Britain's racist society and its Orientalist expectations; at the same time, the duo's genuine love of poetry and spiritualism is palpable. This nuanced and erudite account dives headfirst into the messy contradictions of life under British imperialism for colonial subjects.
