Eve in the City
A Novel
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- $3.99
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- $3.99
Publisher Description
“They say the city never sleeps. It does. Just before dawn you can hear it snore. Light hangs in the air, directionless, not yet pressed into rays. The smell of a hidden sea soaks through stone. The streets themselves have that booming emptiness of a shell held to the ear. Everyone is dreaming. It’s when I began to wander, that time in between.”
For Eve, newly arrived from a religious colony in the heartland, the sidewalks of New York aren’t conveyors of humanity, they are sacred symbols, holy places. In the early morning, when her shift as an after-hours barmaid ends, she roams the deserted neighborhoods. It is a pilgrimage of sorts. Like so many before her, Eve has come to Manhattan to find herself among the lights and noise and sea of anonymous faces that make up the city.
One night, her nocturnal meanderings lead her to a scene that will set her life on an unexpected course. She sees two people pressed against each other in the shadows of a building. Is it a mugging? A rape? Or is this what love looks like when viewed from the outside? Eve's gaze locks into that of the struggling woman. There is a moment of connection, of silent communication, and then she is gone, the sound of her footsteps swallowed by the city, leaving behind a man . . . bleeding on the pavement.
As Eve attempts to understand what she actually saw, she becomes involved with an up-and-coming artist who draws her to him even as his actions push her away; she meets a peculiar, father-like detective who pressures her to talk about a crime she now thinks may not have even happened; and she contemplates a marriage proposal that will give her a lot more than a last name. Everyone seems to want something from Eve; now if only she can figure out what, exactly, she has within her to give.
With Eve In The City, Thomas Rayfiel has written a love letter to New York, from empty dawn streets to the glitter of Bloomingdale’s to the galleries of SoHo. Here is a smart, often dark-humored novel of a young woman’s search for self.
PUBLISHERS WEEKLY
A young woman grasps at self-knowledge against the backdrop of a seedy New York City in Rayfiel's uneven third novel, a sequel to the author's well-received Colony Girl. Seventeen-year-old Eve left a "tiny religious colony" in Iowa and moved alone to Manhattan, where she lives in a garret and works at a grimy after-hours bar operated by Viktor Kholmov, an illegal Russian immigrant. Returning home at dawn, Eve sees a couple struggling: the woman flees, and the man collapses, a knife in his gut. She files a half-hearted police report, and shortly thereafter she attends a gallery opening, mostly because she can't figure out how she got an invitation. There she meets the artist Marron McKee (a "creepy beauty" obsessed with "the Male Gaze") and a kindly painter named Horace Dean, with whom she tentatively begins a relationship. Viktor proposes marriage to Eve, and she, in her particular brand of muddled thinking, considers it, while Arthur Jourdain, a downcast, solitary detective investigating the alleged stabbing, keeps tabs on her and takes a paternal interest. Eve decides that she should search for the victim herself, and she learns that one of New York's most powerful citizens has an intense personal stake in what she witnessed. The favor he asks challenges Eve just as she always imagined the city would. Improbable encounters are necessary to advance the plot toward a conclusion that strains credibility; at times the narration is choppy and the chronology cloudy. What shines through is Rayfiel's knowledge of, and affection for, the public and peripheral worlds of New York City. Below is PW's definitive review of Indiana, Indiana. Please disregard the review that appeared in Forecasts, July 28.
