"Every Frame Was Precious": An Interview with Wheeler Winston Dixon (Interview) More Books by Film Criticism

Razors in the Dreamscape: Revisiting A Nightmare on Elm Street and the Slasher Film (Critical Essay) Razors in the Dreamscape: Revisiting A Nightmare on Elm Street and the Slasher Film (Critical Essay)
Razors in the Dreamscape: Revisiting A Nightmare on Elm Street and the Slasher Film (Critical Essay)
2009
Technically Human: Kubrick's Monolith and Heidegger's Propriative Event (Stanley Kubrick and Martin Heidegger) (Critical Essay) Technically Human: Kubrick's Monolith and Heidegger's Propriative Event (Stanley Kubrick and Martin Heidegger) (Critical Essay)
Technically Human: Kubrick's Monolith and Heidegger's Propriative Event (Stanley Kubrick and Martin Heidegger) (Critical Essay)
2011
Spirited Away: Film of the Fantastic and Evolving Japanese Folk Symbols (Critical Essay) Spirited Away: Film of the Fantastic and Evolving Japanese Folk Symbols (Critical Essay)
Spirited Away: Film of the Fantastic and Evolving Japanese Folk Symbols (Critical Essay)
2005
Off with Hollywood's Head: Sofia Coppola As Feminine Auteur. Off with Hollywood's Head: Sofia Coppola As Feminine Auteur.
Off with Hollywood's Head: Sofia Coppola As Feminine Auteur.
2010
The Emblematic Texture of Antonioni's Blow-up (Michelangelo Antonioni) (Critical Essay) The Emblematic Texture of Antonioni's Blow-up (Michelangelo Antonioni) (Critical Essay)
The Emblematic Texture of Antonioni's Blow-up (Michelangelo Antonioni) (Critical Essay)
2011
The Autobiographical Effect in the Cinema of Roman Polanski (Critical Essay) (Biography) The Autobiographical Effect in the Cinema of Roman Polanski (Critical Essay) (Biography)
The Autobiographical Effect in the Cinema of Roman Polanski (Critical Essay) (Biography)
2005
Red River and the Searchers: Deception in the Modern Western. Red River and the Searchers: Deception in the Modern Western.
Red River and the Searchers: Deception in the Modern Western.
2010
Kore-Eda's Maborosi: Showing Only What Is Necessary (Movie Director Kore-Eda Hirokazu) (Critical Essay) Kore-Eda's Maborosi: Showing Only What Is Necessary (Movie Director Kore-Eda Hirokazu) (Critical Essay)
Kore-Eda's Maborosi: Showing Only What Is Necessary (Movie Director Kore-Eda Hirokazu) (Critical Essay)
2011
Time, History, And Memory in Jia Zhangke's 24 City (Critical Essay) Time, History, And Memory in Jia Zhangke's 24 City (Critical Essay)
Time, History, And Memory in Jia Zhangke's 24 City (Critical Essay)
2011
Atomic Warfare and the Nuclear Family: Domestic Resistance in Hollywood Films About the A-Bomb. Atomic Warfare and the Nuclear Family: Domestic Resistance in Hollywood Films About the A-Bomb.
Atomic Warfare and the Nuclear Family: Domestic Resistance in Hollywood Films About the A-Bomb.
2003
After Life." History, Memory, Trauma and the Transcendent (Kore-Eda Hirokazu's Movie After Life) (Critical Essay) After Life." History, Memory, Trauma and the Transcendent (Kore-Eda Hirokazu's Movie After Life) (Critical Essay)
After Life." History, Memory, Trauma and the Transcendent (Kore-Eda Hirokazu's Movie After Life) (Critical Essay)
2011
Writing Himself Into History: Oscar Micheaux, His Silent Films, And His Audiences (Book Review) Writing Himself Into History: Oscar Micheaux, His Silent Films, And His Audiences (Book Review)
Writing Himself Into History: Oscar Micheaux, His Silent Films, And His Audiences (Book Review)
2003
Tarzan Vs. IBM: Humans and Computers in Jean-Luc Godard's Alphaville (Critical Essay) Tarzan Vs. IBM: Humans and Computers in Jean-Luc Godard's Alphaville (Critical Essay)
Tarzan Vs. IBM: Humans and Computers in Jean-Luc Godard's Alphaville (Critical Essay)
2008
On the Dialectics of Filmic Colors (In General) and Red (In Particular): Three Colors: Red, Red Desert, Cries and Whispers, And the Double Life of Veronique. On the Dialectics of Filmic Colors (In General) and Red (In Particular): Three Colors: Red, Red Desert, Cries and Whispers, And the Double Life of Veronique.
On the Dialectics of Filmic Colors (In General) and Red (In Particular): Three Colors: Red, Red Desert, Cries and Whispers, And the Double Life of Veronique.
2008
Peter Greenaway Holds Court: An Interview at the Venice Film Festival (Interview) (Critical Essay) Peter Greenaway Holds Court: An Interview at the Venice Film Festival (Interview) (Critical Essay)
Peter Greenaway Holds Court: An Interview at the Venice Film Festival (Interview) (Critical Essay)
2004
Brandon Goes to Hollywood (1): Boys Don't Cry and the Transgender Body in Film. Brandon Goes to Hollywood (1): Boys Don't Cry and the Transgender Body in Film.
Brandon Goes to Hollywood (1): Boys Don't Cry and the Transgender Body in Film.
2003
Dziga Vertov's Man with a Movie Camera and the Phenomenology of Perception (Critical Essay) Dziga Vertov's Man with a Movie Camera and the Phenomenology of Perception (Critical Essay)
Dziga Vertov's Man with a Movie Camera and the Phenomenology of Perception (Critical Essay)
2009
Looking Past the Screen: Case Studies in American Film History and Method Looking Past the Screen: Case Studies in American Film History and Method
Looking Past the Screen: Case Studies in American Film History and Method
2009
"You Must Never Listen to This": Lessons on Sound, Cinema, And Mortality from Herzog's Grizzly Man (Werner Herzog) "You Must Never Listen to This": Lessons on Sound, Cinema, And Mortality from Herzog's Grizzly Man (Werner Herzog)
"You Must Never Listen to This": Lessons on Sound, Cinema, And Mortality from Herzog's Grizzly Man (Werner Herzog)
2008
The Formal Design of Brokeback Mountain (Movie) (Critical Essay) The Formal Design of Brokeback Mountain (Movie) (Critical Essay)
The Formal Design of Brokeback Mountain (Movie) (Critical Essay)
2007