First Hubby
A Novel About a Man Who Happens to Be Married to the President of the United States
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٤٫٠ - ١ تقييم
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- 2٫99 US$
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- 2٫99 US$
وصف الناشر
A funny novel of the first "First Husband," from an author who "writes in the grand tradition of such American humorists as Mark Twain and Will Rogers" (Library Journal).
Guy Fox first encountered Clementine on the campus of Dingler College. She was running, stark naked, away from an on-campus protest and the police who were pursuing her. Guy and Clementine's romance wound through turbulent social movements of the '60s and '70s, all the way to Clementine's ascension to the Oval Office. As the nation's very first First Husband, Guy is privy to the surreal intricacies of presidential life, and he sets out to write a light and thoroughly uncontroversial memoir about his relationship with Clementine. But the First Hubby can't help but let some of his more mischievous qualities slip through into his book . . .
The thoroughly charming First Hubby is an engrossing novel about politics, family, and the art of marriage that "offers an emphatic and romantic 'yes' to the question 'Can true love survive the Oval Office'?" (The New Yorker).
PUBLISHERS WEEKLY
Blount, well known as a country humorist with a flair for punning, has written a first novel about a country humorist with a flair for punning. Guy Fox, whose wisecrack on hearing Noriega's name is, ``Have yourself a merry little isthmus,'' is, in 1993, married to the first female president of the U.S. He decides to write a journal/memoir about how he and Clementine Searcy Fox met, reached the White House and what some of their problems and victories have been. What he, and Blount, bring off is a sweet and randy valentine to conjugal love. Guy and Clementine and their children, Jackson and Lucy, dote on each other, despite minor complications such as Clementine's considering an abortion when she discovers she's pregnant her first year in office. At one point, Guy recalls he once thought about penning a novel, but never began the project because ``I hate to get people in trouble.'' This confession gets to the heart of what's wrong with Blount's initial work of fiction. The pleasant but frail love story is almost overwhelmed with too-abundant puns and belch-and-barf jokes, and the plot is nearly bereft of any troubling, involving or satiric events that might alleviate the strain of Blount's relentlessly joking tone.
