It was a crime that shocked the nation: the brutal murder in Chicago in 1924 of a child by two wealthy college students who killed solely for the thrill of the experience. Nathan Leopold and Richard Loeb were intellectuals—too smart, they believed, for the police to catch them. When they were apprehended, state's attorney Robert Crowe was certain that no defense could save the ruthless killers from the gallows. But the families of the confessed murderers hired Clarence Darrow, entrusting the lives of their sons to the most famous lawyer in America in what would be one of the most sensational criminal trials in the history of American justice.
Set against the backdrop of the 1920s—a time of prosperity, self-indulgence, and hedonistic excess in a lawless city on the brink of anarchy—For the Thrill of It draws the reader into a world of speakeasies and flappers, of gangsters and gin parties, with a spellbinding narrative of Jazz Age murder and mystery.
In 1924, Nathan Leopold, 19, and Richard Loeb, 18, both intellectually precocious scions of wealthy Jewish Chicago families, kidnapped and brutally murdered 14-year-old Bobby Franks in an attempt to commit the perfect crime. Historian Baatz, of the John Jay College of Criminal Justice, replays the crime (on which Meyer Levin s 1956 novel Compulsion was based) from the killers point of view, detailing their intense, often sexual, relationship that culminated in the murder. But they left a crucial piece of evidence and eventually confessed to the murder. Clarence Darrow cleverly had the boys plead guilty to avoid a trial, and the legendary defense attorney went head to head with State s Attorney Robert Crowe in a sentencing hearing before Judge John Caverly. Both sides trotted out psychiatrists to testify whether Leopold and Loeb were mentally ill. Darrow s gamble paid off in life sentences. Loeb was murdered in prison in 1936; Leopold was eventually paroled in 1958. Baatz gives an acute portrait of the two murderers bound together in a web of fantasy, but his heavy reliance on novelistic techniques ( there! he had done it ) and meandering pacing prevent this from being as convincing as his exhaustive research deserves. B&w photos.