Francis Bacon
Anatomy of an Enigma
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- $11.99
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- $11.99
Publisher Description
Francis Bacon was one of the most powerful and enigmatic creative geniuses of the twentieth century. Immediately recognizable, his paintings continue to challenge interpretations and provoke controversy. Bacon was also an extraordinary personality. Generous but cruel, forthright yet manipulative, ebullient but in despair: He was the sum of his contradictions. This life, lived at extremes, was filled with achievement and triumph, misfortune and personal tragedy.
In his revised and updated edition of an already brilliant biography, Michael Peppiatt has drawn on fresh material that has become available in the sixteen years since the artist’s death. Most important, he includes confidential material given to him by Bacon but omitted from the first edition. Francis Bacon derives from the hundreds of occasions Bacon and Peppiatt sat conversing, often late into the night, over many years, and particularly when Bacon was working in Paris. We are also given insight into Bacon’s intimate relationships, his artistic convictions and views on life, as well as his often acerbic comments on his contemporaries.
PUBLISHERS WEEKLY
Phenomenal drinking habits, chronic sleep deprivation, and a dangerous taste for the lowlife didn't seem to dampen Bacon's productivity. Perhaps they even fueled it. During his turbulent lifetime (1909-1992), Bacon was called variously "the most important and original artist of postwar Europe" and "the greatest painter of flesh since Renoir." His images of screaming mouths, writhing bodies and elongated, headless necks were intended to be an assault on the viewer's nervous system; they conveyed, to use Art International editor Peppiatt's characteristically deft phrase, "the snarl of rage and the bellow of fear" that lurk in every human being. A challenge to biographers, Bacon manipulated his public persona and was tight-lipped about his genteel Irish origins. Peppiatt, however, had the advantage of a 30-year friendship with the artist in writing this full-scale, psychological biography. Here he explores the contradictions of Bacon's psyche: guilt about being homosexual versus a desire to flout convention; atheism mixed with an obsession with religious imagery; egotism tempered by near-saintly generosity. The flamboyantly promiscuous and eccentric Bacon lives in Peppiatt's descriptions ("he walked with a springily weaving step, as if the ground rolled beneath his feet like the deck of a ship at sea"). Peppiatt doesn't ignore Bacon's dark side, but overall, this anatomy lesson is not an autopsy, but the unveiling of a sympathetic portrait. Illustrations. FYI: In April, Thames & Hudson will publish Bacon: Portraits and Self-Portraits which included 223 color illustrations, an introduction by Milan Kundera and an essay by France Borel ($60 216p )
