General Introduction/Presentation General. General Introduction/Presentation General.

General Introduction/Presentation General‪.‬

Theatre Research in Canada 2005, Spring-Fall, 26, 1-2

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وصف الناشر

Volume 26.1-2 of Theatre Research in Canada / Recherches theatrales au Canada marks at least two significant conclusions. First, it brings to a close the process of transforming a national conference into a scholarly publication. Shifting Tides: Atlantic Canadian Theatre Yesterday, Today, and Tomorrow was held at the Graduate Centre for Study of Drama, University of Toronto in March of 2004. The event brought theatre scholars and students together with a large number of playwrights, directors, actors, designers, producers, and administrators from across Eastern Canada. For three days the participants shared academic papers, play readings, workshops, performances, and presentations (with a live video conference thrown in for good measure). In the process, a significant window was opened on an underexposed and under-appreciated region of dramatic and theatrical activity in this country. At the same time, I believe, the event succeeded in fostering an uncommon degree of interaction across disciplinary and professional borders too rarely challenged in the context of academic meetings. And, finally, Shifting Tides opened the doors (to extend the domestic metaphor) on multiple ongoing professional and artistic relationships. As one of the coordinators of the conference, I can attest to out gratification and, indeed, pride in all these accomplishments. My co-editors on this volume are, in fact, the same individuals with whom I collaborated in bringing the Shifting Tides Conference into reality: Natalie Alvarez (now of Brock University) and Michael Devine (of Acadia University). While Michael's obligations to his home institution in Nova Scotia ruade him a more distant participant as the conference approached, both these new scholars worked extensively on issues large and small, from the original conceptualization of the event through to the minutest detail of its realization. The same dedication has characterized their involvement in the editing of this volume, and they have repeatedly proven their insight, professionalism, and sense of rigour.

النوع
الفنون والترفيه
تاريخ النشر
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٢٢ مارس
اللغة
EN
الإنجليزية
عدد الصفحات
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الناشر
University of Toronto, Graduate Centre for Study of Drama
البائع
The Gale Group, Inc., a Delaware corporation and an affiliate of Cengage Learning, Inc.
الحجم
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ك.ب.
Undergraduate Research in Theatre Undergraduate Research in Theatre
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Participatory Arts in International Development Participatory Arts in International Development
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Undergraduate Research in Film Undergraduate Research in Film
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Community Filmmaking Community Filmmaking
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Crossmedia Innovations Crossmedia Innovations
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The Digital Turn: User’s Practices and Cultural Transformations The Digital Turn: User’s Practices and Cultural Transformations
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The Impossible Theatre: Roy Mitchell and the Chester Mysteries: Experience, Initiation and Brotherhood (Critical Essay) The Impossible Theatre: Roy Mitchell and the Chester Mysteries: Experience, Initiation and Brotherhood (Critical Essay)
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Postmodern Display: Staging the Mind of Marshall Mcluhan (1). Postmodern Display: Staging the Mind of Marshall Mcluhan (1).
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Theatre Pedagogy and Performed Research: Respectful Forgeries and Faithful Betrayals (Report) Theatre Pedagogy and Performed Research: Respectful Forgeries and Faithful Betrayals (Report)
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Transmitting Transactive Pedagogy: A Dilemma of Pre-Service Teacher Education in Drama (Report) Transmitting Transactive Pedagogy: A Dilemma of Pre-Service Teacher Education in Drama (Report)
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Collective in the Classroom: Creating Theatre in Secondary School Collaboration Projects (Report) Collective in the Classroom: Creating Theatre in Secondary School Collaboration Projects (Report)
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In the Habit of Independence: Cross-Border Politics and Feminism in Two World War I Plays by Sister Mary Agnes ('A Patriot's Daughter', 'the Red Cross Helpers: A Patriotic Play') (Critical Essay) In the Habit of Independence: Cross-Border Politics and Feminism in Two World War I Plays by Sister Mary Agnes ('A Patriot's Daughter', 'the Red Cross Helpers: A Patriotic Play') (Critical Essay)
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