Hand to Mouth
A Chronicle of Early Failure
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4.5 • 2 Ratings
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- $11.99
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- $11.99
Publisher Description
Paul Auster's Hand to Mouth: A Chronicle of Early Failure is a fascinating and often funny memoir about his early years as a writer struggling to be published, and to make enough money to survive.
This is the story of a young man's struggle to stay afloat. By turns poignant and comic, Paul Auster's memoir is essentially an autobiographical essay about money--and what it means not to have it. From one odd job to the next, from one failed scheme to another, Auster investigates his own stubborn compulsion to make art and describes his ingenious, often far-fetched attempts to survive on next to nothing. From the streets of New York City and Paris to the rural roads of upstate New York, the author treats us to a series of remarkable adventures and unforgettable cast of characters while examining what it means to be a writer.
“Required, inspiring reading for Auster-holics and aspiring writers.” —Kirkus Reviews
PUBLISHERS WEEKLY
Auster, the highly talented novelist (New York Trilogy), poet and filmmaker (Smoke) was not always as successful as he is now, and the title section of this oddly conceived book (most of which is comprised of Auster's unpublished work) is a penetrating memoir of a young writer desperately trying to make his way. Seldom has the helpless obsession, utter marginality and crushing poverty of the unsuccessful author been better conveyed than here; even the work Auster did purely for the money, forsaking his literary ambitions, didn't come off, and the memoir ends with recognition nowhere in sight. The rest of the volume, made up of what the publisher coyly calls "three of the longest footnotes in literary history," shows us some of the material that failed. There are three short plays (the kind that get staged at off-off-Broadway theaters); an ingenious card game that simulates baseball (an Auster passion), which, surprisingly, has never been marketed; and a brief but absorbing private-eye novel, Squeeze Play. As Auster justly remarks, "As an example of the genre, it seemed no worse than many others I had read, much better than some." It is a noirish tale of the death of a baseball idol with a strange obsession, and apart from some heavy-handed flip dialogue and rote violence, it broods along stylishly enough. (The novel was ultimately published by Avon, netting Auster a sum in the high three figures.) As a cautionary tale for writers, this is a superb book; as an addition to an oeuvre, it's on the slight side. Author tour.
