Henry Austin
In Every Variety of Architectural Style
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- $27.99
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- $27.99
Publisher Description
Winner of the Historic New England Book Prize (2009)
Winner of the Henry-Russell Hitchcock Book Award (2010)
Henry Austin’s (1804–1891) works receive consideration in books on nineteenth-century architecture, yet no book has focused scholarly attention on his primary achievements in New Haven, Connecticut, in Portland, Maine, and elsewhere. Austin was most active during the antebellum era, designing exotic buildings that have captured the imaginations of many for decades. James F. O’Gorman deftly documents Austin’s work during the 1840s and ’50s, the time when Austin was most productive and creative, and for which a wealth of material exists. The book is organized according to various building types: domestic, ecclesiastic, public, and commercial. O’Gorman helps to clarify what buildings should be attributed to the architect and comments on the various styles that went into his eclectic designs. Henry Austin is lavishly illustrated with 132 illustrations, including 32 in full color. Three extensive appendices provide valuable information on Austin’s books, drawings, and his office.
PUBLISHERS WEEKLY
A fresh look at the work of mid-19th century architect Henry Austin, this enjoyable, nicely illustrated volume focuses on his wide range of aesthetic styles and genres. Wellesley College art historian O'Gorman (Connecticut Valley Vernacular) begins with Austin's early work in Connecticut, and organizes his decade of work from 1840 to 1850 by purpose: domestic, ecclesiastical, and public/commercial buildings (a final chapter looks at later work). One of O'Gorman's themes is the inspirational role played by international literature and painting, with specific examples to illustrate: in one house, Austin "touches on the nineteenth-century love... for Orientalism, that distortion of Eastern cultures that also found its way into the painting and literature of the period." Austin's shifts in scale and aesthetic are marked with some bold entries; his public building work "began with a bang... an Egyptian Revival gateway at the New Haven Burial Ground." Though the overriding theme is nothing new-plenty of architects possess an eclectic style that changes with the times-O'Gorman's contention that Austin "produced his own reflection on the culture of his era" is well supported, with solid details and focus. 100 b/w illus, 32 color illus.
