A powerful first-hand account of the many generations and ethnic groups of men who have built America's skyscrapers.
From the early days of steel construction in Chicago, through the great boom years of New York city ironwork, and up through the present, High Steel follows the trajectory of careers inextricably linked to both great accomplishment and catastrophic disaster.
The personal stories reveal the lives of ironworkers and the dangers they face as they walk across the windswept, swaying summits of tomorrow's skyscrapers, balanced on steel girders sometimes only six inches wide. Rasenberger explores both the greatest accomplishments of ironwork—the vaulting bridges and towers that define America's skyline—and the deadliest disasters, such as the Quebec Bridge Collapse of 1907, when 75 ironworkers, including 33 Mohawk Indians, fell to their deaths. High Steel is an accessible, thrilling, and vertiginous portrait of the lives of some of our most brave yet unrecognized men.
Inspired by a New York Times article Rasenberger wrote on ironworkers in early 2001, this historical overview of skyscraper construction in New York City and elsewhere traces the erection of such structures as the Flatiron and Chrysler buildings, the Empire State Building, the George Washington Bridge, the World Trade Center and the lavish new Time Warner Center. This last building is the narrative column around which Rasenberger builds his book, which is largely devoted to "the men who risked the most and labored the hardest" the ironworkers who put the high-rise steel columns in place. Though his admiration at times seems compulsory rather than genuine, Rasenberger emphasizes the often heroic, death-defying feats ironworkers perform. He also takes account of far-flung communities that breed ironworkers, such as the Mohawk Indians of upstate New York. The chronological history is broken up by alternating sections on the Time Warner Center and often feels less like a single narrative than a collection of vignettes. Rasenberger's principal claim, that ironwork's days are numbered because of the growing reliance on concrete, is often lost in the telling. Even the Time Warner Center was built more with concrete than iron, which is costlier and more vulnerable to heat in events such as the World Trade Center attacks. This recounting, while less than fully absorbing, serves as a valuable history for building enthusiasts and a thoughtful testament to a dying craft that has helped fuel the American economy for more than a century. 21 b&w photos.
No photos in the electronic version. Only know because I checked the sample. Great book ruined by drm.