The Rime Of The Ancient Mariner
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- $5.99
Publisher Description
"Water, water, everywhere,
Nor any drop to drink…"
Samuel Taylor Coleridge’s haunting parable of sin and absolution, The Rime of the Ancient Mariner first published nearly 200 years ago, still holds us with its story of the sailor locked in a living nightmare after he mindlessly shoots an innocent albatross and watches his shipmates die all around him for condoning what he did.
But death is an easier punishment than the 'life-in-death' the mariner himself is doomed to endure, alone with the burden of his guilt, until a meeting with divine messengers brings him the opportunity to do penance.
It is widely recognized as one of the greatest narrative poems in the English language and was a defining achievement in the establishment of the Romantic Movement.
SAMUEL TAYLOR COLERIDGE (1772-1834) was an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan, as well as the major prose work Biographia Literaria. His critical work, especially on Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture. Coleridge coined many familiar words and phrases, including “suspension of disbelief”. He was a major influence on Emerson and American transcendentalism.
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"It is an ancient Mariner, and he stoppeth one of thee...." Although these ominous lines perennially instill fear of final exams and term papers in the minds of high school students and Romantic English majors, they're not often remembered by adults. Mason's reading of Coleridge's 1796 epic poem is at once hypnotic and stirring. The Academy Award nominated actor reads the chilling tale involving clashes with sea monsters, a boat swarming with zombies and a dice game with Death in an authoritative English accent. Like the ocean surrounding the Mariner's ship, his voice ebbs and flows with the imaginative poem's various heights. He quickly rattles off, "water, water, every where, and all the boards did shrink; Water, water, everywhere, nor any drop to drink" but gently whispers "And I had done an hellish thing, and it would work 'em woe: For all averred, I had killed the bird that made the breeze to blow." Coleridge (1772 1834), uses words to make the fantastical believable, and here, Mason brings those words vividly to life. A bonus track features Mason's animated reading of The Hunting of the Snark, an eight-canto poem by Lewis Carroll.