Pride and Prejudice
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5.0 • 1 Rating
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- $9.99
Publisher Description
“It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.”
So begins Pride and Prejudice the greatest romance novel of all time. Jane Austen’s set-up is ingenious: Mrs. Bennet has but one aim in life: to find a good match for each of her five daughters. Mr. Bennet, a mild and indolent man given to witty cynicisms, refuses to take this vulgar project seriously; he ridicules his wife instead of giving her support in her schemes. One of the daughters, Elizabeth, becomes prejudiced against her future suitor, Darcy, because of his arrogance and his uncalled-for interference with his friend Bingley’s courtship of her sister Jane. In interfering with Jane and Bingley, Darcy is influenced by Mrs. Bennet’s undisguised husband-hunt and her impropriety in general; he mistakenly believes that Jane is only seeking an advantageous match and that her feelings are not sincere. In spite of his disapproval of the Bennet family. Darcy cannot keep himself from falling in love with Elizabeth, and he proposes to her. The tone of the proposal (it is evident that his love for Elizabeth is a blow to his pride) and her own prejudice cause Elizabeth to coldly reject him.
Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy's hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy's insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth's low-born but noble-hearted aunt and uncle. Some of Austen's best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." She may be joking, but there's more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet "as delightful a creature as ever appeared in print". Readers of Pride and Prejudice would be hard-pressed to disagree.
The novel contains two of Jane Austen’s best-known minor characters, Mr. Collins and Lady Catherine de Bourgh.
PUBLISHERS WEEKLY
Collagist Fabe adds flair to Jane Austen's Pride and Prejudice with 39 original illustrations that accompany the unabridged text. Fabe's collages overlay bright, watercolor-washed scenes with retro cut-paper figures and objects sampled from fashion magazines from the 1930s to the '50s. Accompanying each tableau is a quote from the Pride and Prejudice passage that inspired it. Like Austen's book, Fabe's work explores arcane customs of beauty and courtship, pageantry and social artifice: in one collage, a housewife holds a tray of drinks while a man sits happily with a sandwich in hand in the distance. While tinged with irony and more than a dash of social commentary, the collages nevertheless have a spirit of glee and evidence deep reverence for the novel. As Fabe describes in a preface, Austen "was a little bit mean the way real people are mean so there are both heroes and nincompoops. Family is both beloved and annoying. That is Austen's genius, her ability to describe people in all their frailty and humor." This is a sweet and visually appealing homage. (BookLife)
