Madame Bovary
-
- $0.99
Publisher Description
According to Wikipedia: "Madame Bovary is a novel by Gustave Flaubert that was attacked for obscenity by public prosecutors when it was first serialised in La Revue de Paris between 1 October 1856 and 15 December 1856, resulting in a trial in January 1857 that made it notorious. After the acquittal on 7 February, it became a bestseller in book form in April 1857, and now stands virtually unchallenged not only as a seminal work of Realism, but as one of the most influential novels ever written. The novel focuses on a doctor's wife, Emma Bovary, who has adulterous affairs and lives beyond her means in order to escape the banalities and emptiness of provincial life. Though the basic plot is rather simple, even archetypal, the novel's true art lies in its details and hidden patterns. Flaubert was notoriously perfectionistic about his writing and claimed to always be searching for le mot juste (the right word). A 2007 poll of contemporary authors...cited Madame Bovary as one of the 2 greatest novels ever written."
PUBLISHERS WEEKLY
Glenda Jackson hits the mark in this superb narration of Flaubert's classic novel. Her reading perfectly captures the restlessness of Emma Bovary, a character perpetually dissatisfied with her solid, steady husband and bourgeois life in provincial 19th-century France. Emma's unrealistic dreams (she yearns for a perfect, romantic love that will sweep her away into perpetual bliss) lead her into one affair after another, and then to financial ruin and suicide. Jackson is especially outstanding in the scene which takes place the night before Emma plans to run off with her lover, Rudolf. To Rudolf, Emma is just one in a long series of conquests, and he gets cold feet at the thought of being permanently responsible for her welfare and that of her child. In a swoony, sighing voice full of noble suffering, Jackson reads his flowery letter of tears and regret, saying he loves her too much to ruin her life and her reputation. Then, without missing a beat, she switches to smug, cynical satisfaction, as Rudolf admires the letter and congratulates himself on his close escape.