Spillane: King of Pulp Fiction
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- $12.99
Publisher Description
An Edgar and Macavity Award Nominee
The first-ever biography of the most popular and most influential pulp writer of all time, written by the collaborator who knew him best
There has never been a full-length biography of Mickey Spillane, the most popular and influential mystery writer of his era—until now.
Beginning in 1947 with I, the Jury, and continuing with his next six novels, Spillane quickly amassed a readership in the tens of millions, becoming the bestselling novelist in the history of American publishing. Surrounded by controversy for the overt violence and suggestive sexual content of his iconic Mike Hammer private eye novels, Spillane was loathed by critics but beloved by his readers.
There is, however, more to Spillane’s life than the books. He also starred as Hammer in a movie, was a circus performer, worked with the FBI in capturing a notorious criminal, and starred in Miller Light beer commercials that were so popular they ran for a quarter of a century.
Max Allan Collins became Spillane’s friend and collaborator, continuing the Mike Hammer series for years after the author's death, building upon unfinished manuscripts the writer left behind. Now, with co-author James Traylor, Collins has produced the first comprehensive and authoritative profile of the Mystery Writers of America Grand Master. It is a must-read for any fan of the author—or of the generations of crime writers that were influenced by his work.
PUBLISHERS WEEKLY
In 1947, Mickey Spillane (1918–2006) unleashed his hyperbolic private eye and WWII vet, Mike Hammer, on the world with I, the Jury, a revenge saga that featured a major infusion of sexual innuendo and unfettered violence that scandalized not only other mystery writers but also the publishing industry and beyond. In this illuminating biography, the first devoted to Spillane, MWA Grandmaster Collins (the Nathan Heller series), a late-life collaborator of Spillane's, and critic Traylor provide incisive analysis of Spillane's unique career. Employing exhaustive research and their access to Spillane's personal archives, the authors move from Spillane's precocious childhood to his time at comic book publisher Timely writing text fillers; his WWII service as a flight instructor; the epic breakthrough with the Signet/NAL paperback edition of I, the Jury; the superstar years of 1948–1953, when each Mike Hammer novel was reprinted in the millions; and his surprise conversion to the Jehovah's Witness movement. Spillane's growing appetite for acting and star-making turn in the 1970s as a TV pitchman for Miller Lite beer is recounted in colorful detail, while his long-delayed triumph in being named a Grand Master by his MWA peers in 1995 is quite affecting. The book concludes with several highly informative appendices, including Collins's fascinating "Completing Mickey Spillane." This definitive work is indispensable for any fan of the revolutionary Spillane and his two-fisted novels.