Super Gay Poems
LGBTQIA+ Poetry after Stonewall
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- $29.99
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- $29.99
Publisher Description
Winner of the 2025 New England Book Award for Poetry
A major poet and literary critic leads an aesthetic adventure through poems about queer experience, by writers who identify as lesbian, gay, bisexual, queer, trans, nonbinary, gender fluid, and more.
A groundbreaking anthology edited by acclaimed poet, critic, and scholar Stephanie Burt, Super Gay Poems brings together fifty-one works encompassing the wide range of queer and trans verse after the Stonewall uprising of 1969. Since that galvanizing moment, poetry has served as both a vehicle for queer liberation and a witness to its sometimes fragile, sometimes ebullient flourishing, across the world.
The poems in this anthology represent the great variety of queer and trans life itself. They include near-sonnets, iambic couplets, and rhymed quatrains; skinny dimeters and shaped poems; chatty free verse and intentionally inaccurate translations; the demotic and the rococo. Arranged in chronological order, the selections trace queer culture’s recent evolutions. Frank O’Hara, Audre Lorde, Judy Grahn, James Merrill, Thom Gunn, Jackie Kay, Adrienne Rich, Chen Chen, essa ranapiri, and The Cyborg Jillian Weise—poets widely known and poets who deserve to be—share their alienation, their euphoria, and their encounters with a protean community as it discovers new solidarities and new selves.
Each piece is paired with a concise, eye-opening essay in Burt’s trademark style, with verve and an inimitable literary ear. A treasury of aesthetic experience and insight, Super Gay Poems points protestors, political organizers, poetry lovers, and LGBTQIA+ readers toward many beautiful tomorrows.
PUBLISHERS WEEKLY
In this well selected and compulsively readable anthology, Harvard English professor Burt (We Are Mermaids) presents 51 poems that address and exemplify queerness in America. In the introduction, Burt explains that she chose to only include poems published post-1969, establishing the year of the Stonewall riots as the inception of modern queer identity. She additionally provides helpful context for each poem in an accompanying essay. The anthology moves chronologically, beginning with Frank O'Hara's "Homosexuality," which addresses closeted life in its opening line, "So we are taking off our masks, are we, and keeping/ our mouths shut." From the 1990s to the 2000s, the anthology introduces an increasing number of poets of trans and other gender identities, including the glorious ode to genderqueer sex "Suits and Ties" by Samuel Ace. Danez Smith's 2022 poem "Waiting for You to Die So I Can Be Myself" picks up where O'Hara left off, articulating the strain of hiding one's true self: "i want to say something without saying it/ but there's no time. i'm waiting for a few folks/ i love dearly to die so i can be myself." Burt's insightful commentary draws through lines between eras and poets, making this a valuable text for the classroom and a dynamic and comprehensive collection for casual readers of contemporary poetry.
