The Writer's Lot
Culture and Revolution in Eighteenth-Century France
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- $26.99
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- $26.99
Publisher Description
A pioneering social history of French writers during the Age of Revolution, from a world-renowned scholar and National Book Critics Circle Award winner.
In eighteenth-century France, writers emerged as a new kind of power. They stirred passions, shaped public opinion, and helped topple the Bourbon monarchy. Whether scribbling in dreary garrets or philosophizing in salons, they exerted so much influence that the state kept them under constant surveillance. A few became celebrities, but most were hacks, and none could survive without patrons or second jobs.
The Writer’s Lot is the first book to move beyond individual biography to take the measure of “literary France” as a whole. Historian Robert Darnton parses forgotten letters, manuscripts, police reports, private diaries, and newspapers to show how writers made careers and how they fit into the social order—or didn’t. Reassessing long-standing narratives of the French Revolution, Darnton shows that to be a reject was not necessarily to be a Jacobin: the toilers of the Parisian Grub Street sold their words to revolutionary publishers and government ministers alike. And while literary France contributed to the downfall of the ancien régime, it did so through its example more than its ideals: the contradiction inherent in the Republic of Letters—in theory, open to all; in practice, dominated by a well-connected clique—dramatized the oppressiveness of the French social system.
Darnton brings his trademark rigor and investigative eye to the character of literary France, from the culture war that pitted the “decadent” Voltaire against the “radical” Rousseau to struggling scribblers, booksellers, censors, printers, and royal spies. Their lives, little understood until now, afford rare insight into the ferment of French society during the Age of Revolution.
PUBLISHERS WEEKLY
Historian Darnton (The Revolutionary Temper) delivers a fascinating examination of the rise of the writer-as-public-figure in revolutionary France. He vividly depicts a revolutionary milieu in which, for every towering figure like Voltaire or Diderot who owed their career to a "system of patronage," there were innumerable "scribblers... churning out hack work and living miserably in garrets." While the writers who "made it to the top" advocated "moderate change," those at the bottom "vented their frustrated ambitions" in the mostly "illegal works" they wrote to eke out a living. These consisted mainly of "libels, pornography, and seditious political tracts," in which their authors honed a language that "resonated" among the "Jacobins and sans-culottes." Most of the writers were anti-satire—they "hated satire the way they hated high society"—and instead embraced a radically earnest journalistic style. Darnton posits that, with their "mastery over... media" at a time when "public opinion began to determine affairs of state," these "Rousseau du ruisseau," or the "Rousseaus of the gutter," were a crucial but unacknowledged force. The French Revolution, he convincingly argues, was not simply the result of the powerful ideas of a handful of well-connected public intellectuals but the cultural work of a new class of precariously employed writers-for-hire. It's a fresh and vital history, as well as an appealing romanticization of the freelancer's lot.