The vampire novel that defined a genre by tapping into our deepest fears and darkest fantasies
A junior solicitor travels to Transylvania to meet with an important client, the mysterious Count Dracula. Ignoring the dire warnings of local townsfolk, he allows himself to be seduced by the count’s courtly manners and erudite charm. Too late, the solicitor realizes that he is a prisoner of Castle Dracula, his guards a trio of voluptuous young women with sharp white teeth and a taste for blood.
Soon thereafter, the solicitor’s fiancée, Mina, visits a friend on the English coast. The town is full of speculation over a Russian ship run aground nearby, its crew missing, the dead body of its captain, crucifix in hand, lashed to the wheel. A giant dog was seen leaping from the deck before disappearing into the countryside. The ship’s cargo: fifty boxes of Transylvanian dirt. As the beautiful Mina will soon learn, Count Dracula has arrived.
At once a Gothic reflection of the Victorian era and a timeless tale of sinister lust, Bram Stoker’s Dracula has inspired countless adaptations—none with the same power to quicken the pulse as the original.
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This full-cast production is a masterly depiction of the Victorian gothic ethos in Stoker's classic tale. Told through a series of letters and diary entries, the novel begins when Count Dracula lures a young English lawyer named Jonathan Harker to his castle in Transylvania under the pretense of a real estate transaction, but Harker soon discovers the count is a vampire and the diabolical intent in the real estate deal. It falls to the resourceful Professor Van Helsing, along with a handful of intrepid heroes, including Harker and his fianc e, Mina, to stop the count's evil plans. The readers each have a distinctive voice for their characters and do a perfect job of conveying the emotional content of the assorted letters and diaries. Jamie Parker's portrayal of Harker is particularly stirring, especially as the character slowly pieces together the horrific truth about Dracula. Alison Pettitt succeeds at providing a gamut of emotions for the voice of Mina throughout the story. Each reader hits the mark with precision. For anyone who has never read (or for anyone looking to revisit) this classic tale of gothic horror, this is a fine way to do so.