In Tasmania
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- $11.99
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- $11.99
Publisher Description
From the renowned British author of The Dancer Upstairs comes this “meticulous, lyrical history” of the remote island and his family’s connection to it (Publishers Weekly).
Hailed by the Wall Street Journal as “one of the best English novelists of our time,” Nicholas Shakespeare decided to move to Tasmania after falling in love with its exceptional beauty. Only later did he discover a cache of letters that revealed a deep and complicated family connection to the island. They were written by an ancestor as corrupt as he was colorful: Anthony Fenn Kemp (1773–1868), the so-called Father of Tasmania.
Then Shakespeare discovered more unknown Tasmanian relations: A pair of spinsters who had never left their farm except once, in 1947, to buy shoes. Their journal recounted a saga beginning in Northern England in the 1890s with a dashing but profligate ancestor who ended his life in the Tasmanian bush.
In this fascinating history of two turbulent centuries in an apparently idyllic place, Shakespeare weaves the history of the island with multiple narratives, a cast of unlikely characters from Errol Flynn to the King of Iceland, a village full of Chatwins, and a family of Shakespeares.
“Tasmania is an enigmatic place and Shakespeare captures it with an appreciative eye.” —The Guardian
PUBLISHERS WEEKLY
"Tasmania is a byword for remoteness," renowned British author Shakespeare (The Dancer Upstairs) observes at the beginning of his meticulous, lyrical history of the island and his family's time on it. In 1999, Shakespeare moved with his wife to Tasmania, 140 miles off the Australian coast and "the most beautiful place I had seen on earth." A relative's subsequent discovery of a cache of old letters reveals that Shakespeare is descended from Anthony Fenn Kemp, an infamous Tasmanian pioneer. Shakespeare's work traces Kemp's history, turning up a slew of fascinating, often grim tales, including riffs on cannibalism, murder, lingering racism against Aborigines, and the early settlers' open disregard for anything but personal gain. For what amounts to the record of a family tree, Shakespeare's writing is transcendent-readers will gain a deep understanding not only of Tasmania's history, but of the forces that have shaped its isolated peoples' nature. Although Shakespeare loses his focus toward the end of the lengthy volume, his skill as a storyteller never wavers. 16 black and white illustrations.
