BONUS: This edition contains an excerpt from Hisham Matar's Anatomy of a Disappearance.
Libya, 1979. Nine-year-old Suleiman’s days are circumscribed by the narrow rituals of childhood: outings to the ruins surrounding Tripoli, games with friends played under the burning sun, exotic gifts from his father’s constant business trips abroad. But his nights have come to revolve around his mother’s increasingly disturbing bedside stories full of old family bitterness. And then one day Suleiman sees his father across the square of a busy marketplace, his face wrapped in a pair of dark sunglasses. Wasn’t he supposed to be away on business yet again? Why is he going into that strange building with the green shutters? Why did he lie?
Suleiman is soon caught up in a world he cannot hope to understand—where the sound of the telephone ringing becomes a portent of grave danger; where his mother frantically burns his father’s cherished books; where a stranger full of sinister questions sits outside in a parked car all day; where his best friend’s father can disappear overnight, next to be seen publicly interrogated on state television.
In the Country of Men is a stunning depiction of a child confronted with the private fallout of a public nightmare. But above all, it is a debut of rare insight and literary grace.
Shortlisted for the 2006 Man Booker Prize, Matar's debut novel tracks the effects of Libyan strongman Khadafy's 1969 September revolution on the el-Dawani family, as seen by nine-year-old Suleiman, who narrates as an adult. Living in Tripoli 10 years after the revolution with his parents and spending lazy summer days with his best friend, Kareem, Suleiman has his world turned upside down when the secret police like Revolutionary Committee puts the family in its sights though Suleiman does not know it, his father has spoken against the regime and is a clandestine agitator along with families in the neighborhood. When Kareem's father is arrested as a traitor, Suleiman's own father appears to be next. The ensuing brutality resonates beyond the bloody events themselves to a brutalizing of heart and mind for all concerned. Matar renders it brilliantly, as well as zeroing in on the regime's reign of terror itself: mock trials, televised executions, neighbors informing on friends, persecution mania in those remaining. By the end, Suleiman's father must either renounce the cause or die for it, and Suleiman faces the aftermath of conflicts (including one with Kareem) that have left no one untouched. Suleiman's bewilderment speaks volumes. Matar wrests beauty from searing dread and loss.