In the Light of What We Know

A Novel

    • 4.4 • 18 Ratings
    • $11.99
    • $11.99

Publisher Description

A bold, epic debut novel set during the war and financial crisis that defined the beginning of our century

One September morning in 2008, an investment banker approaching forty, his career in collapse and his marriage unraveling, receives a surprise visitor at his West London townhouse. In the disheveled figure of a South Asian male carrying a backpack, the banker recognizes a long-lost friend, a mathematics prodigy who disappeared years earlier under mysterious circumstances. The friend has resurfaced to make a confession of unsettling power.

In the Light of What We Know takes us on a journey of exhilarating scope--from Kabul to London, New York, Islamabad, Oxford, and Princeton--and explores the great questions of love, belonging, science, and war. It is an age-old story: the friendship of two men and the betrayal of one by the other. The visitor, a man desperate to climb clear of his wrong beginnings, seeks atonement; and the narrator sets out to tell his friend's story but finds himself at the limits of what he can know about the world--and, ultimately, himself. Set against the breaking of nations and beneath the clouds of economic crisis, this surprisingly tender novel chronicles the lives of people carrying unshakable legacies of class and culture as they struggle to tame their futures.

In an extraordinary feat of imagination, Zia Haider Rahman has telescoped the great upheavals of our young century into a novel of rare intimacy and power.

GENRE
Fiction & Literature
RELEASED
2014
April 22
LANGUAGE
EN
English
LENGTH
512
Pages
PUBLISHER
Farrar, Straus and Giroux
SELLER
Macmillan
SIZE
2.6
MB

Customer Reviews

Booksarelikecrack ,

Unfortunately dense & tedious

I really wanted to like this book. As an avid, educated reader, lofty concepts and deep philosophy don’t tend to scare me off. However, sadly, I gave up on this book part of the way through. I can appreciate the depth of thought that went into this, the cultural perspective(s), and the relevance of the story crafted. Unfortunately, it comes through as academic and mental “self-pleasuring”, to be politically correct. Obtuse and unapproachable…

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