Inciting Joy
Essays
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3.5 • 6 Ratings
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- $13.99
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- $13.99
Publisher Description
From New York Times bestselling author Ross Gay comes a "brilliant" intimate and electrifying collection of essays about the joy that comes from connection (Ada Limón, U.S. poet laureate).
In these gorgeously written and timely pieces, prizewinning poet and author Gay considers the joy we incite when we care for each other, especially during life’s inevitable hardships. Throughout Inciting Joy, he explores how we can practice recognizing that connection, and also, crucially, how we can expand it.
Taking a clear-eyed look at injustice, political polarization, and the destruction of the natural world, Gay shows us how we might resist, how the study of joy might lead us to a wild, unpredictable, transgressive, and unboundaried solidarity. In fact, it just might help us survive.
In an era when divisive voices take up so much airspace, Inciting Joy offers a vital alternative: What might be possible if we turn our attention to what brings us together, to what we love?
PUBLISHERS WEEKLY
Poet Gay (The Book of Delights) examines in this stunning collection how joy deepens when accompanied by grief, fear, and loss. In "Joy and Losing Your Phone," he describes relying on the help of strangers; "Joy and Death" is a reflection on losing his father to cancer; "Joy and Time" covers the privilege of not being "on the clock"; and in "Joy and Laughter," he observes that "one of laughter's qualities is that it can draw us together." Gay gracefully turns from lighter pleasures (imagining a book about great album covers, for instance) to confronting cruelties, such as racist violence or the "brutal economy" of capitalism. "Grief Codex," the longest and most intricate essay, touches on football, toxic masculinity, couples therapy, and grief: "we might always be holding each other through our falling," Gay concludes, positing that "holding each other through the sorrow" is one definition of joy. Gay's curiosity is present on every page ("I am a fan of the digression," he writes) and his precise yet playful prose sparkles: a friend wears "a goldfinch of a grin," while a mall parking lot "away from the cast even of the aged streetlights" is a safe space. This resonant, vivid meditation shouldn't be missed.
