Carnival and National Identity in the Poetry of Afrocubanismo Carnival and National Identity in the Poetry of Afrocubanismo

Carnival and National Identity in the Poetry of Afrocubanismo

    • $12.99
    • $12.99

Publisher Description

“Traces the ways that Cuban poets dealt with issues of national identity, reflected in their views of Afrocubanismo, often in response to historical changes in public and official opinions on the most visual manifestation of Afro-Cuban culture: carnival.”—Choice































“Uncovers a wealth of literary texts, primarily poems, that chart the impact of las comparsas, Afro-Cuban festival dances, on mainstream Cuban life. . . . Investigates the ways in which the relationship between racial and ethnic divisions, and between castes and classes, created a literary movement full to the brim with emotional and sensational resonances.”—Wasafiri































“Underscores the sociopolitical and historical contexts of these poems which have shaped the literary production and message of the Afrocubanismo movement. . . . A tour de force.”—Callaloo































“Successfully plumbs the position of the Afro-Cuban performer and brings into sharp relief the way politicians historically sought to affect all elements of Cuban culture.”—New West Indian Guide































Carnival and National Identity in the Poetry of Afrocubanismo offers thought-provoking new readings of poems by seminal Cuban poets, demonstrating how their writings affected the development of a recognizable Afro-Cuban identity. Thomas Anderson examines the long-running debate between the proponents of Afro-Cuban cultural manifestations and the predominantly white Cuban intelligentsia, who viewed these traditions as “backward” and counter to the interests of the young Republic.















Including analyses of the work of Felipe Pichardo Moya, Alejo Carpentier, Nicolás Guillén, Emilio Ballagas, José Zacarías Tallet, Felix B. Caignet, Marcelino Arozarena, and Alfonso Camín, this rigorous, interdisciplinary volume offers a fresh look at the canon of Afrocubanismo and offers surprising insights into Cuban culture during the early years of the Republic.

GENRE
Fiction & Literature
RELEASED
2017
April 3
LANGUAGE
EN
English
LENGTH
358
Pages
PUBLISHER
University Press of Florida
SELLER
Ingram DV LLC
SIZE
16.1
MB

More Books Like This

Mayaya Rising Mayaya Rising
2023
Receptions of the Classics in the African Diaspora of the Hispanophone and Lusophone Worlds Receptions of the Classics in the African Diaspora of the Hispanophone and Lusophone Worlds
2016
Writing Islands Writing Islands
2022
Stages of Exile Stages of Exile
2011
Dissonances of Modernity Dissonances of Modernity
2021
Lorca After Life Lorca After Life
2022

More Books by Thomas F. Anderson